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Bloody in Cairo: A First Hand Account

February 9th, 2011

It was Wednesday afternoon. we were covering the clashes between pro- and anti-government protesters near Tahrir or Liberation Square in Cairo. 

A short time after we started our shooting, cameraman Olaf Wiig was threatened by a small group of pro-Mubarak thugs. 

We ducked down an alley. it turned out to be a dead end, so we dashed into a nearby building. 

At first it was a perfect vantage point to cover the street battle. Then it quickly turned into a battle station for the pro-government side. 

Olaf, producer Ibrahim Hezbroun, a Canadian journalist, and myself hunkered down in an apartment in the back of the top floor. 

The owner of the apartment, first of many kind Egyptians to help us, offered us shelter. 

Just outside the door, the goons were breaking up parts of the hallway’s marble to throw off the roof. as night fell, rocks turned to Molotov cocktails. Gas bombs were being lit, also to be thrown off the roof. we could see the silhouettes of the thugs and their projectiles on the apartment’s glass door. 

They did not know we were there. 

They’d already ransacked a small hotel on the other half of the floor, terrorizing the people there in a search of “traitors.” we anticipated they could knock down our door, and we would be next. 

Still we waited for a turn in events. The anti-government protesters started targeted the building. When a Molotov cocktail smashed through the window of the room we were in, spreading gas over the floor, we decided that was it. we weren’t going to go up in flames. we were going to make a run for it. we rushed down the stairs and out on the street. 

It was nothing short of a battle zone. Smoke filled the air, fighters scrambled back and forth across the no-man’s land between the two sides, hurling rocks, gas bombs, and other projectiles. Bursts of gun fire crackled through the night. 

All the while, Egyptian soldiers stood on their tanks from inside the compound of Cairo’s museum across the street, watching it all, not interceding. 

Heads low, with everything whizzing by, we scrambled in the direction of our hotel, straight into the thousands of the pro-government mob. 

Ibrahim and the other colleague were able to blend into the crowd and left. 

Within seconds Olaf and I were spotted as foreigners and attacked. they hit us with their open hands, their fists, sticks, bars, rocks, whatever was around, especially aiming at our heads. they grabbed us and punched us. several dug through my pockets. all the while screaming madly in our faces. But still we pushed on.  

And again, some kind Egyptians helped. a few guiding us forward and keeping the blood-thirsty mob at bay. 

After several minutes of running a human gauntlet, Olaf and I reached an Egyptian Army personnel carrier. The soldiers standing on top didn’t immediately help us. 

As they stood by, Olaf and I continued to be pummeled by the crowd. his shirt was off, he was writhing and was knocked to the ground twice. I somehow stayed upright but was losing strength fast and the hits were harder. Unable to make it over the high side of the vehicle, I thought Olaf and I were finished. a few more minutes in the crowd and it would have been all over. 

Then there was another turn. although it is all a mad blur, a combination of instincts, the soldiers relenting, and again someone helping us in the crowd, we made our way to the back of the vehicle where its easier to hop on. 

With the angry mob pulling at us we dragged ourselves up and into its cabin. Blood was dripping off, our wounds were open. But we were, for the moment at least, relatively safe. With soldiers finally blasting warning shots into the air to clear away the crowd, the vehicle rolled off, and then stopped again. 

The front door of the compartment lowered. I saw the screaming crowd again. I thought we were being sent back into the mob. I resisted and the soldiers started kicking me. 

We came through the door and in fact saw an ambulance waiting a few feet away for us. both of us scrambled to it, another rock whizzing by. With crowds pawing at the door, emergency workers finally slid it closed, and we sped off to the main hospital in Cairo. 

There, we were treated by a crew of young, talented doctors and nurses, who mopped us up, sewed us up and revived us. Remarkably, though, the story was not over for us. 

Soon after we arrived at the hospital we had an armed soldier watching over us. The nervous authorities said it was for our own “safety,” but at times we felt like prisoners in the hospital. 

Our calls and movement were limited, the door to our room was locked from time to time from the outside, my passport was taken and not returned. There was discussion of the possibility we could be spies. 

Then when the hospital staff said we were good to go, we were still held by the authorities. we were jammed into the back of a small jeep, driven across town, held blindfolded at the Ministry of Military Security, marched lock-step to a location, then videotaped and photographed as if in a line-up. 

We were later to learn other journalists were treated the same way. 

When I looked around at the people there, in plain clothes, some with guns, many with angry faces, all of a sudden it came full circle. 

I felt I was back in Tahrir Square with the pro-Mubarak thugs. 

Still blindfolded, we were thrown back into the jeep and driven to another location. Happily it was not to some jail for political prisoners, but to a car with those working to get us free. 

In a half an hour we were with the Fox team set for a later trip home. 

The experience we endured filled us with revulsion at those Egyptians who use violence and repression and those in higher places who support those actions. it also filled us with a deep admiration for the good and courageous Egyptians who will be continuing the struggle today and the days to come, who are putting their own lives on the line. 

Hopefully they’ll come out on the other side of this with a better country.

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Have You Ever Heard of Functional Glass Art Or Seen a Glass Pipe …

October 15th, 2010

For hundreds of years people have blown and molded glass for both decorative and functional purposes. Modern glass art has been around since the 1960?s and consists of functional as well as decorative pieces. Pipe smokers often prefer their pipes to be made of glass rather than wood because glass doesn’t affect the flavor of the tobacco. A glass pipe is made up of three parts, the bit, the shank, and the bowl.

The bit of a pipe is the actual mouthpiece; the pipe’s shank is the thin stem from the bit to the bowl. The bowl of a pipe is where the tobacco is placed and lit, when the smoker draws on the pipe, the smoke travels from the bowl along the shank and into the bit. Pipes are made from a number of different materials as well as glass. Hand blown glass pipes are often very attractive and may have designs etched into the bowl and sometimes along the stem.

Glass is used extensively in the making of pipes in the Middle East where there are actual smoking cafes. This type of pipe is smoked from what looks like a large, decorated glass, bottle with a burner near the top, and a large, flexible stem. These pipes are the original glass bongs. In modern times the bong or water pipe tends to be associated with smoking tobacco. These smoking devices are also called Hookah pipes. Hookah pipes are made of glass and consist of a curved vessel that has water in it.

The tobacco in the hookah is heated by charcoal and the water is there to cool the smoke down, making for a smoother smoke. A hookah pipe is also called a “Shishe” by the Persians, and simply means a glass bottle. The glass base of the pipe is quite tall because it’s meant to be smoked while it’s on the floor rather than on a stand or table.

In countries such as Persia and Egypt is customary for smokers to sit on low cushioned seats when they are smoking the pipe. Smokers may share the hookah, but it should not be passed from one to the other; instead, left so that the next person can pick it up at their leisure.

Decorative pipes, bongs and vases are all examples of functional glass art. Not all of these products are mass produced, some are the result of the art of glass blowing. One of the great things about glass blowing is that you can get such different variations in the color and shape of the glass. Glass pipes have become very popular over the years because they are so different to the usual wood and clay pipes which are standard for the “normal” run of things.

Other functional, artistic glass objects that you can get include jugs, vases and glasses. If you want the best in functional glass art, then blown glass is the answer. In Mediterranean countries such as Italy and Spain, glass blowing is still prevalent. You can get some wonderful glass vases and glass light fittings in a variety of colors and shapes.

All too often we tend to think that anything made from glass is too fragile, but this is not always the case. Glass pipes and glass light fittings have to contain a certain amount of heat resistant properties in order for them to function. Many other glass objects such as jugs and vases are made to withstand a lot more use than you might imagine, which is why there is a large market for functional glass art.

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If you litter, you are a selfish person

September 6th, 2010

  • Last Updated: August 13. 2010 7:27PM UAE / August 13. 2010 3:27PM GMT

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Who are FC Timisoara?

August 30th, 2010

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The Smart Way of Choosing Your Own Dinnerware Set | China PaPer Online

June 29th, 2010

A Dinnerware set is one of the most important things in a table setting. Choosing the best dinnerware set entails some variables to consider.
A dinnerware set is used when serving and eating food. It comprises mainly of 4 or more pieces of the following:
Â? Plates
Â? Salad plates
Â? Soup bowls
Â? Cereal bowls
Â? Bread plates
Â? Butter plates
Â? Cups
Â? Saucers
Some dinnerware sets include extra accessories like platters, pepper and salt shakers, creamers and napkin rings, etc. Here are some variable things to consider in buying good dinnerware sets:
Purpose
Know your purpose before buying good dinnerware sets. These sets can be for everyday usage or for special occasions. It depends mainly on your lifestyle, from vintage, casual and contemporary to formal styling.
Most middle-income families use casual dinnerware sets. This is has a casual look, having simple designs, colors or patterns. A casual dinnerware set has more functional style; it can resist chipping and it is dishwasher safe.
A formal dinnerware will accent the dining table of a high class society. China made with elegant design is best serve for formal gatherings and dinner parties. It is still best to choose large setting for large gatherings to accommodate guests. Most formal sets are hand washed and stored with proper care.
Moreover, festive dinnerware sets showcase a holiday dining meal that is even more inviting. An example of this is a Christmas holiday collection that comes in cheery or holy patterns.
Materials Used
Dinnerware set materials is made of any of the following:
Â? Stone
Â? Crystal
Â? Glass
Â? Porcelain
Â? Plastic
Â? and Ivory
The material used should last for years or even a lifetime. It should also be durable and chip resistant.
Plastic dinnerware sets are cheap, while the glass type is more expensive. Glass dinnerware has become more luxurious and classy. However, they are more prone to breakage. Consider also the cleaning material in order to avoid scratching the design.
Design, Color, Size
Dinnerware designs can be:
Â? Color banded
Â? Floral
Â? Scroll
Â? Geometric
Â? Stripped patterns
Â? and clear
Some sets infuse warm tones and contemporary patterns. Back-to-nature shades receive great attention such as green, orange, blue, beige and yellow. Amongst the latest style in China are the flared rims having asymmetrical edges, along with plain dishes as well as swirls, dots and lines.
Hand painted versions is matched with solid-colored plates. Most manufacturers use a lead-free paint and dyes for safety purposes. At current, most of dinnerware makers offer designs that are FDA approved.
Most dinnerware dishes come in round shapes while most oval shaped dinnerware dishes are seen in Mexican food restaurants. Different sizes are available in the market for a new look.
Use your Creativity
The choice of a design is the reflection of a person’s taste. It is a fun way to mix and match colors while being practical. An attractive dinnerware set is usually more inviting and pleasing to the eyes.
Extras
Companies nowadays offer attractive boxes. Some accompaniments such as tea kettles, napkin holders or kitchen clocks attract customers. Look for sets that have some extra pieces. This is to get the most out of your money. Many manufacturers also offer additional accessories, having no extra cost for the set.
Cost
The cost depends on the number of pieces in a set and its pattern styles. Four to six place setting ranges from $80 to $100. Dinnerware sets which cost under $50 is perfect for the family’s everyday dining.
Hand painted, glazed pottery and figural designs will costs over $150. Aside from this, bigger and popular sets include the following:
Â? Noritake
Â? Fiesta
Â? Corelle
Â? Dansk
Â? Pfaltzgraff
Â? and Jonathan Adler
These are even more expensive. Thus, all kinds all dinnerware sets could range from $29 to $100.

Article Source: Made In China

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Mikasa Celebrations Avenue 12-Inch Vase | Furniture Zone

May 10th, 2010

  • Avenue Vase, 12-Inch
  • The Avenue Collection is crafted of fine Lead Crystal Glass
  • The Mikasa Avenue Collection has long cuts making the crystal glass sparkle.
  • This elegant collection is perfect for a great gift for any occasion. Hand wash recommended.
  • Weight : 7.61 -Pound. Height : 12.01 -Inch. Width : 6.81 -Inch. Length : 6.81 -Inch.

Product Description
A classic, clean look makes the Mikasa Avenue collection a timeless beauty sure to become a statement piece in your home. The 12-Inch Vase features long cuts extending from the bottom to the top giving the collection a sparkling radiance. The Avenue Vase brings elegance to your home that compliments both traditional and contemporary décor. Mikasa is recognized for cutting-edge design and distribution of luxury tabletop and home décor products at affordable prices…. More >>

Mikasa Celebrations Avenue 12-Inch Vase

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