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Oxfordshire Craft Guild: The Turrill Gardens, Summertown (From The Oxford Times)

April 5th, 2012

Oxfordshire Craft Guild: The Turrill Gardens, Summertown

3:15pm Wednesday 4th April 2012 in Leisure by Jan Lee

on a spring day a visit to the Craft Guild show in the gardens next to Summertown library will delight you. Displayed among flowers, shrubs and trees are innovative sculptures that would enhance any garden.

Anne Arlidge’s Temptation Apples are made by rolling a globule of hot, clear glass into green grit which is then covered with clear glass. these tantalising and delicate ‘apples’ hanging from the branches reflect different parts of the garden as they move gently in the breeze.

it is fitting that birds are celebrated in this rural setting. Inspired by a visit to Florida, Wendy Fowler’s Pelicans (pictured) stand happily among the dogwood. To get the appearance of stitching, she takes white stoneware, rolls the clay on to netting and lays it on to the body-shaped mould of the bird. Finally the sculpture is painted in soft colours.

Jane Hanson decorates her unusually shaped craft-crank Round Birdbath with soft glowing shades of terracotta and fawn that melt into one another in the kiln and reflect the tree trunks and stones nearby.

Jeanne Jackson is normally a ceramicist but is also a keen birdwatcher; hence her interest in the form and shape of these birds. In Costa Rica, attracted to the graceful Heron, she made drawings which she translated into a linear three-dimensional wire sculpture that allows the plants to be an integral part of this attractive see-through and airy bird.

by contrast Richard Ballantyne’s Three Hens sit solidly together. The glazed effect, which is the result of the raku technique, suggests feathers and is a perfect medium for these plump domestic birds.

Harriet Coleridge’s stoneware Salmon hangs on the wall of the garden; the Cotswold stone makes a perfect background for this attractive fish. Her stoneware and porcelain Tiled Table on a locally made wrought-iron four-legged stand invites one to sit down and enjoy this lovely exhibition in the shade of the birch tree. The exhibition runs until April 28. Mondays and Fridays 9.30am-5.30pm, Tuesdays and Thursdays 9.30am-7pm, Saturdays 9am-4.30pm.

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Handmade books take shape in workshop

July 18th, 2010

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Tables were piled with antique-looking maps, printed and handmade papers, felt, sticks, shells, pages torn from old books, unusual plant pods and other odds and ends as 10 women focused on making their own personal art books.

Instructor Charu Colorado demonstrated how acrylic gel medium — normally used by painters — could be used to affix long pine needles to a page.

Participants at the Sunday workshop inside Illahe Studios & Gallery on Fourth Street in Ashland tucked waxed paper bags between their finished book pages to prevent them from sticking together.

Earlier in the day, they had slid thread against a waxed candle. Waxed thread runs more easily though paper without tearing it, Colorado had explained.

Using the thread and either bookbinder’s needles or upholstery needles that were as long as pinky fingers, the women sewed together their blank books in the morning, setting the stage for decorating the books in the afternoon.

Colorado provided a wealth of material for the class, but had also asked the participants to bring in any personal items they wanted to use to adorn their books.

Ashland resident Priscilla Hunter brought photocopies of designs by a Spanish artist, and then worked to glue them to her blank pages.

“I’m just learning to glue and it’s really hard,” she said. “You have to get everything lined up. The glue gets everywhere. It gets all over your hands and all over the surface.”

Despite her difficulties with the glue, her handmade book was gradually coming together.

Hunter said she plans to write poetry on the book’s colorful pages.

In her book, Augusta Lucas-Andreae, also of Ashland, was combining inspiring words cut from magazines with stained paper towels she had saved from an Easter egg dying project.

“I can see a lot of possibilities. I can see a whole world opening up,” she said.

Terri Wraight of Ashland is planning a trip to Ireland in September. She plans to use her handmade book as a travel scrapbook. She had collected printed words in French, an image of Big Ben, a pin with the American and British flags and other international tidbits.

A veteran creator of handmade books, Carol Young of Talent displayed several finished products. In one, half of the book was filled with sketches of fishing nets, a dog on a beach, myrtle wood trees and other scenes from a trip to the Oregon Coast. The second half showed other-worldly sketches from her trip to the annual Burning Man festival in the Nevada dessert. In one sketch, a woman dressed in a red evening gown plays a trumpet while a tree sculpture burns.

Young said she uses watercolor pencils for her on-the-go sketches. People can sketch with the pencils out in the field, then apply water to create washes of color later on.

On a month-long trip to Italy, Young took along 15 handmade sketchbooks, then had to make more while she was there to accommodate all her sketching.

Roxanne Evans, who lives near Klamath Falls, plans to use her book to hold bits of metal, twigs and other objects she finds while out walking. The front of her book was decorated with a subtle graph pattern, a twist of wire and the words “come to the ground.”

Betty Watson’s book, decorated with the words “the web of life,” lichen and an ornate metal button, was ready to be filled with images she had culled from sources like National Geographic and Patagonia catalogues.

Watson made the trip over the Siskiyou Pass from Weed, Calif. to attend Sunday’s workshop.

“I wanted to work with other people in a small group. I wanted inspiration. What other people collect is different than what you collect,” she said.

Watson said she’s always liked books and has been an avid reader all her life. Handmade art books can have a sculptural quality since people can do collage or glue on small objects, Watson said. “It’s something anyone can do,” she added.

If demand is high enough, Colorado will hold another bookmaking workshop, with a limit of 10 people in the class. Four people had already signed up for a second workshop as of Sunday.

The fee, which includes materials, is $120. To reserve a workshop spot, call Illahe Studios & Gallery at 541-488-5072 or call Colorado at 541-482-6319.

The gallery will host a weekend workshop on creating a mosaic with tile Aug. 13-15. Instructor Joanne Chase will supply tools, materials and Italian glass tiles.

The fee is $225 and the workshop is limited to 10 participants. Call the gallery for more information or to sign up.

Staff writer Vickie Aldous can be reached at 541-479-8199 or .

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