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Fujifilm S2800HD review

February 20th, 2011

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Posted by Gavin Stoker on Thu 3 Feb 2011

A huge range of shooting options for a very low price

Super zoom cameras boasting an optical zoom with a 15x reach or more are usually prohibitively bulky, but that’s not the case with the Fujifilm FinePix S2800HD. Claiming to be the world’s smallest camera to offer an 18x reach, it’s styled to resemble a miniature digital SLR. unlike a DSLR, though, the lens on the front of the 14-megapixel snapper cannot be changed.

Fuji would argue you wouldn’t want to make a swap anyway, thanks to the 2800HD providing a focal range that’s the equivalent of 28-420mm in 35mm film camera terms. This means that it’s as adept at taking in landscape panoramas as it is in getting up close and personal. But perhaps the best news of all is that the Fuji has a very competitive street price. It’s just £150.

  though much smaller than a proper DSLR, the Fujifilm FinePix S2800HD is still too much of a squeeze for all but a deep jacket pocket. Added weight and reassuring solidity is provided by the four AAs required for power inserted into its handgrip. These boast enough juice for up to 300 photos, which is average for its class.

Controls fall readily to hand meaning it’s easy to use. A main shooting mode dial offers a selection of manual photographic controls as well as the usual ‘auto everything’ options, which is unexpected at this price. the on/off switch is similarly chunky and obvious, located just behind the main shutter release button that is itself ergonomically encircled by a lever for operating the zoom.

The camera powers up in two seconds, while the zoom is equally responsive, though we did find the built-in microphone picked up the mechanical noise of its buzzing wasp-like adjustments.  

Fujifilm FinePix S2800HD: Features

The ‘HD’ in the Fuji’s model number obviously indicates that Motion JPEG format High Definition video can be recorded, like photos straight to removable SD card. Here it’s 1280×720 pixels rather than the full HD 1920×1080 resolution. Both stills and video are composed and reviewed via the 3-inch LCD screen provided, or, more unusually at this price, the tiny electronic viewfinder window (EVF) located directly above it, though we didn’t use that very often.

Apart from the microphone picking up lens movement, we were a little disappointed at how slow the camera was to regain focus if we made adjustments whilst filming clips. Every time we did, our footage would blur for a moment or two before coming sharp again, without the option to make manual adjustments via a separate lens ring.

We do get a mini HDMI output port provided for hooking the camera up directly to a flat panel TV, however, which is again good for the price, although as with most digital cameras the required cable is extra.

Fujifilm FinePix S2800HD: Image Quality

Shooting at maximum zoom, especially with an 18x reach, introduces the possibility – perhaps inevitability – of camera shake and blur. Fortunately Fuji has provided both sensor-shift anti shake – the internal chip vibrating to counteract any external wobble – plus shutter speed and ISO (light sensitivity, here up to ISO6400) boosting digital anti shake. like other methods this dual option isn’t foolproof, and we sometimes needed a couple of goes to get a sharp image if shooting handheld at the lens’ furthest setting.

For low light shooting without the aid of the camera’s pop up flash we achieved impressively clear results if sticking below ISO1600. A resolution drop at ISO3200 provides a temporarily cleaner image before top whack ISO6400 re-introduces a distinctly gritty appearance as noise/grain noticeably intrudes. on the whole picture quality was on a par with what we would expect from a £100 camera, with some softening of detail, barrel distortion towards the edges of frame at maximum wideangle, and the odd colour cast suggesting auto white balance isn’t 100% spot on.

Still, for the excellent asking price it’s very hard to grumble. This ‘world’s smallest’ 18x super zoom will almost fit in your pocket and offers a far wider choice when it comes to composing pictures and video than others in its class. Image quality isn’t perfect, but for its stupendous price we feel churlish to take potshots

Fujifilm S2800HD launch date: out now, link Fujifilm

Fujifilm S2800HD price: £150-£200 online

Fujifilm S2800HD Specifications

  • Sensor: 14-megapixel 1/2.3-inch CCD sensor
  • Lens:: 18x optical zoom, 28-420mm (35mm equ)
  • Screen: 3-inches, 230k dots
  • Viewfinder:Electronic Viewfinder, 200k dots
  • Stabilisation: Sensor shift stabilization, digital anti shake
  • Video: 1280×720 pixels
  • Storage: SD/SDHC/SDXC, 23MB internal
  • Battery: 300 shots (4x AA)
  • Connections: HDMI, AV and USB 2.0
  • Dimensions/Weight: 337g (excluding batteries and card), 110.2×73.4×81.4mm

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Send Polaroid Photos from an Android App to PoGo 3×4 Instant Printer

September 25th, 2010

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Macro Photography ? A Brief Discussion | Webmaster 9

July 18th, 2010

Colorized Black and White « ©jw fujimagari blog

June 29th, 2010

I had seen many very old hand coloured black and white pictures from before color film became popular. For a long time it was the only way to get color photographs. My first encounter with modern hand colorized or tinted prints was an article in Photo Life

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A Scanning Workflow, Part 3: Scanner Settings

June 28th, 2010

This guest article was written by Sam Agnew. You can find Sam on Flickr

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Student Academy Awards give winners star treatment

June 23rd, 2010

BEVERLY HILLS, Calif. ? Isaiah Powers, Jeremy Casper and Stuart Bury were just excited their Kansas City college offered an animation program. They never really expected theyd come to Hollywood to meet with their filmmaking idols, much less to do it as Student Academy Award winners.

But thats what happened to the Kansas City Art Institute graduates, who won a silver medal and a $3,000 grant Saturday for their six-minute, stop-motion film, Dried Up.

They were among 13 students from across the country who were treated to a week full of meetings and fancy meals with some of the film industrys finest as guests of the Academy of Motion Picture Arts and Sciences and winners of the 37th annual Student Academy Awards.

This opens up so many more opportunities, said Casper, 27, who graduated last year and is working as a freelance artist in Kansas City. I feel like we have some weight to knock on some doors.

Its almost like youre accredited, added Bury, 22, who has been making animated e-cards as an intern at Hallmark since he graduated last month.

The Student Academy Awards recognize films in documentary, narrative, animation and alternative categories with medals and grants.

Spike Lee, Robert Zemeckis, Pixar chief John Lasseter, Up director Pete Docter and South Park creator Trey Parker all won the honor at the start of their careers. Winners of Student Academy Awards have gone on to earn 40 Oscar nominations and seven statuettes, including the won Docter won for Up in March.

This years winners came from as far as the United Kingdom and as close as the University of Southern California. All stayed at a Hollywood hotel and were shuttled to meetings at the Writers Guild, Directors Guild and the American Society of Cinematographers. They dined with the academys governors and watched each others work at its famous theater.

Casper said meeting successful filmmakers helped demystify the profession.

They go through the same struggles that we do when we make a film. Theyre talking about the same things, he said. (Now) we dont have to put them up on this untouchable pedestal.

Academy president Tom Sherak told the students the film community welcomes them.

Were excited for the work youve done, he said. Were excited for your futures. You are the next generation.

After three days of meetings, the students learned whether theyd won gold, silver or bronze medals, and the corresponding $5,000, $3,000 or $2,000 grants, at Saturdays ceremony. Directors Penelope Spheeris and Henry Selick, and actor Jeremy Renner presented the prizes.

I would like to thank the academy and Ive always wanted to thank the academy, said Tanel Toom of the National Film and Television School in Beaconsfield, England, as he accepted the honorary foreign film award for his 25-minute narrative film, The Confession.

Ruth Fertig, who won the gold medal for her documentary, Yizkor, said the award gave her faith to move forward as a filmmaker.

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10X FUJI SUPERIA 200: 36EXP 35mm Film Expired END 07/09 £1.10 …

April 7th, 2010

 

10 rolls of Fujicolor 200 ASA: 35mm film Expired End 07/2009

36 Exposures Per roll.

two random rolls tested March 17 2010: no image quality loss,
no colour shift. See for yourself here on my photostream

flickr.com/photos/13111789@N00/sets/72157623528157887/show/

AS you can see from the pictures, this is Fujicolor Superia, 36 Exposures. 200 film, in rebranded boxes for a large chainstore. This film expired end of July 2009. It is being stored in a fridge until I sell it. This film produces fantastic results in all lighting conditions and has the famous FUJI 4th layer technology. I simply cannot use it all so am offloading some.

All the fear about dates on expired film is in my opinion overplayed, I have been shooting with Expired 2003 400 iso Fujifilm and it comes back from lab perfect. 

Remember many Fuji minilabs will now do deals on processing they are so desperate for work, Here in Dublin you can get 5 rolls developed and to CD for just €15!

So colour film is becoming cheaper to use and what better way to start than with cheap fresh film Just tested two random rolls March 10th 2010, no issues , no colour shift no loss of quality .

 

Sold in lots of 10 rolls.

So if you want 10 rolls of 35mm film get bidding.

OTHER INFORMATION:

IF YOU WANT 20 ROLLS: Postage to Ireland will be €7.25, Postage to Europe incl. UK will be €8.75.

POSTAGE to REST OF WORLD, OUTSIDE EUROPE: 10 rolls = €7.00 : 20 Rolls = €11.40

IF YOU WANT MORE THAN 20 Rolls Get in Touch.

If you are outside Ireland, log into ebay.ie with your own name, and you wil see lots more film in different numbers that might suit you better

Now for the boring but required text.

As with all my auctions I stand by what I sell and offer a 14-day money back guarantee (less shipping/postage costs) if the item is not as described. I am more than willing to answer any questions as best as I can about the items I sell and will send interested parties high- resolution photo’s of the item/s on request.

INTERNATIONAL BIDDERS PAYING BY PAY-PAL ARE ALWAYS WELCOME

Please e-mail me for postal costs to all countries outside Ireland unless they are stated in the item description.

All items are usually sent by An Post Irish State mail services and are packed carefully; I also always obtain proof of postage. If in the unfortunate event that an item goes astray or becomes damaged in the post, I will assist buyers all I can in making enquiries/claims; but I cannot accept liability for any item once it is entrusted to the Post Office. Where postal insurance is offered, particularly on high value items, it is recommended that buyers take this option or make a specific request to me for insurance if they feel they wish to cover their purchases against loss or damage in the post.

Please check my feedback and bid with confidence. 

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PLEASE DON’T BID IF YOU DO NOT INTEND TO PURCHASE OR ARE NOT HAPPY WITH THESE TERMS.

Thank you for looking and good luck with your bidding. Why not check out my other items while you’re here?

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Former Hershey Bear a pioneer in developing hockey visor

April 2nd, 2010

By TIM LEONE, The Patriot-News March 28, 2010, 6:22PM Robin Burns is a fun guy, a natural comedian, the life of the party.

That essence radiates from a locker room photo of the Hershey Bears’ 1973-74 Calder Cup celebra­tion at Hersheypark Arena. Cham­pagne-soaked alternate captain Burns, an impish grin beaming un­derneath a classic ’70s-era mustache, wears the Calder Cup like a crown.

The same man also is a visionary entrepreneur who helped pioneer one of the most seriously important hockey equipment innovations: the visor.

A decade after that Calder Cup picture was taken, Burns founded a long shot startup called ITECH in the basement of his Montreal home. It would grow into a hockey equipment giant.
 
“I was hoping I could make a de­cent living out of it,” Burns said. “Never in a million years did I imag­ine it would become one of the three biggest hockey companies in the world.
 
“I came at an era when hockey was at a boom. I came up with an inven­tive product that took off.”
 
That product was the fully clear polycarbonate visor. It provided eye protection while also preserving an acuity and vision range that metal cages couldn’t.

“I married technologies that were available at the time,” Burns said.
 
His Calder Cup linemates aren’t surprised that the voluble Burns, who played 190 career NHL games, became a huge off-ice success.

Left winger Burns, centerman Jim Hrycuik and right winger Steve An­drascik combined for 207 points in 1973-74.

Hrycuik: “He was just a go-getter. He always had something going. He was just one of those guys that had a lot of energy.”

Andrascik: “He had the gift of the gab. He could really talk. He was a smooth operator. He was a likable guy, too. Everybody liked Burnsie.”

In 1984, Burns gathered his family — wife Fran, daughter Tracey, sons Randy and Todd — around a table to tell them about his ITECH plan.

He garnered consensus support, al­though Randy questioned his sani­ty.

At the time, you see, Burns was president of Micron skate company and had everything to lose by leav­ing the position.

Reaching the top of Micron seem­ed like the summit of a post-playing career whose seeds were planted while Burns was a minor leaguer.

“When we were playing in Her­shey, we didn’t make a whole lot of money,” Hrycuik said. “He
promoted Lange skates as a sales rep. That’s how he got started. He was selling when he was still play­ing.

“How many guys were pursuing that kind of career off-ice back then? Not many. He was the kind of guy who was destined to try all kinds of things.”

The visor idea literally hit Burns in the face.

In a helmet-optional era, Burns never wore eye protection as a player. He got nicked in the eye playing senior hockey in the sum­mer of 1983.

Hockey Hall of Fame referee Red Storey saw the incident, Burns said, and suggested he wear eye protec­tion. The original aim was to devel­op protection for senior players so they wouldn’t lose time on the job due to recreational hockey injuries.

Burns initially tried a cage but found it too distracting.

Polycarbonate was in its early stages at that point,” Burns said. “I’d seen polycarbonate in action in dif­ferent products. I wondered if we could mold it and make it fog-proof. I did my homework and investiga­tion and found it could be molded into a sphere. And it had to be high­
ly polished so it wouldn’t have an optical distortion.”

Through trial and error and the help of engineering and design con­sultants, a product eventual­
ly emerged that met suffi­cient optical, safety and durability standards.

Amid what Burns deemed cheap and visually distorted competition from European companies, ITECH’s visor took off in the equipment marketplace. Sales contacts Burns developed while with Micron, which retained him as a paid consultant during ITECH’s first three years, helped the cause.

“People ask me what makes a true entrepreneur,” Burns said. “I say you can’t be that smart. If you knew the level of the mountain you had to climb, you’d nev­er start it. I was just too stu­
pid, too stubborn, to not continue. You just keep plowing away. One thing led to another.”

The company originally was going to be called Eye­tech, but a U.S. company al­ready had registered the name. ITECH’s first market­ing slogan: Clearly the Best Protection in Sight.

Burns said he poured money back into research and development and listen­ed to innovation ideas from anybody, particularly fellow garage tinkerers.

As ITECH grew, Burns moved from his basement to a one-room office to a small
warehouse.

“We stayed under the ra­dar of big companies,” he said. “They didn’t pay atten­tion. It was like stick-han­dling down the wing with nobody watching. All of a sudden, you fire it and it’s in the net.”

The 1973-74 Bears, who featured nine rookies, were a fun-loving team known as the “Comeback Kids.”
 
They finished second to the Baltimore Clippers in the Southern Division dur­ing the regular season but dispatched Cincinnati and Baltimore in the first two rounds en route to beating
Providence in five games in the Calder Cup finals.

“Sometimes when you’re on a team, you’ll hear guys say you’re kind of a family,” Hrycuik said. “That was a family.”

Duane Rupp and Bears great Ralph Keller anchored the defense, with Bob John­son and Denis Herron shar­ing the playoff duty in goal.

Nine players scored more than 20 goals during the regular season, the highest total in team history.

“We had a cast of charac­ters,” Burns said. “That team there was as loose a team as you’re going to have.

“We were kind of like a pretty good party team. There’s no doubt about it. We partied hearty. But when it was time to play, we played hard.”

The 6-foot, 195-pound Burns scored a team-high 10 playoff goals.

“Tough-nosed winger, hard, played a very honest game at both ends of the ice,” Bears president-GM Doug Yingst said. “Very ag­gressive. Fast skater. Tre­mendous disposition and
character, which led to the success of that team.”

First-year head coach Chuck Hamilton, who suc­ceeded legendary Frank Mathers, kept the Burns-Hrycuik-Andrascik line to­gether all season.

“Our styles all suited each other,” Hrycuik said. “We weren’t real flashy but al­ways seemed to get the job done.

“Burnsie was just a good guy. A good family man. He was one of our team come­dians. He was always stir­ring the pot.”

Burns scored three game-winning goals in the play­offs, including one with one second left for a 1-0 victory against Cincinnati in Game 3 of the first round.

Before the finals, Burns said, he boldly approached Providence head coach John Muckler and congratulated him for finishing second.

“I don’t think we were a team that was supposed to win,” Burns said. “Each se­ries we got better and bet­ter.
 
“The night we won the Cup, I was custodian of the Cup. I remember sleeping with the Cup. After we won the Cup, I had to leave town five days later. I don’t think my liver could have taken any more.”

Burns lauded the late Mathers, who remained as president-GM, as “one of the finest people I’ve been involved with in hockey.”

Hershey also is special to Burns because his son Todd was born there in 1972 and was given life-saving treat­ment at Penn State Milton S. Hershey Medical Center as a newborn.

“Hershey’s always near and dear to my heart be­cause of the medical cen­ter,” Burns said. “It was touch and go there for a while.”

Burns said he keeps a pic­ture of the 1973-74 team hanging at his house. And he still wears his Hershey Calder Cup ring.

“Hershey was one of the greatest places I played in,” he said. “The people, the fans, the fan club.

“Hershey provided me with a more spectacular love of the game.”

In the NHL, Burns, whose cousin is former NHL head coach Pat Burns, played for the Pittsburgh Penguins and Kansas City Scouts.

As a junior, Burns played for the Montreal Junior Ca­nadiens from 1964 to ’67 un­der head coach Scotty Bow­man and Montreal Canadiens GM Sam Pollack. Those teams featured play­
ers who’d follow phenome­nal on-ice achievement with phenomenal off-ice achievement.

Jacques Lemaire won the Stanley Cup as head coach of the New Jersey Devils. Serge Savard became Mon­treal’s GM. Craig Patrick, assistant coach of the 1980 U.S. Olympic hockey team, led Pittsburgh to Stanley Cups as GM. Larry Pleau became head coach of the Hartford Whalers and GM of the St. Louis Blues.

“They groomed their players and their style of play,” Burns said. “Not only on ice, the discipline off ice was necessary.

“I just think that we were very well-schooled. It proved it by all these guys going on to bigger and bet­ter things. The common de­nominator in a lot of these guys is they brought the same work ethic off ice that was on ice.”

Including Burns. His final two pro seasons were with Kansas City from 1974 to ’76.
 
“I knew my hockey career was going to come to a halt when they asked me how my skiing was,” Burns jok­ed. “I got into the business world and never looked back.”

ITECH, with a product line that eventually branched into helmets, goalie gear and baseball masks, grew to 300 employees and sold equip­ment in 35 countries. Burns deflects most of the credit to his employees.

“I was a good captain to a very good ship,” Burns said. “The crew made it. We were a team. By far, I was not the best player. We won the Calder Cup as a team in Her­shey. I had a great team at ITECH.”

In 2004, Burns, now 63 and semi-retired, sold ITECH, which merged with San Die­go-based Mission Hockey. In September 2009, Mission-ITECH was sold to Bauer Hockey.

Burns served on the Mis­sion-ITECH board for four years. He has no involvement now that Bauer has taken over.

“People ask, ‘Are you sorry that you sold it?’¤” Burns said. “Never. I can do more for my
family and friends and chari­ties with money in my pock­et.”

Burns created a prostate cancer charity. He has spon­sored Hershey Junior Bears Quebec teams with gloves, travel bags and helmets and shields.

Burns does regret the plant closings and layoffs that have ensued since Bauer’s take­over. Preservation of jobs was a deal provision when he sold ITECH.

“The hardest part is when they closed the two facilities in Montreal and Plattsburgh, N.Y.,” Burns said. “When I saw all those people lose their jobs, I really felt bad. Some of those people had been with me 15, 18 years.”

Burns, a grandfather of nine, has had a knee replace­ment and can no longer play senior hockey. He is involved in real estate development and started a maple syrup company. “Life is constant change,” he said. “Life isn’t a dress rehearsal.”

Andrascik chuckled when told about the maple syrup company.

“That’s Burnsie,” he said. “You never know what he’s going to get into.

“He was a smart guy at business. But he never changed. He never let it go to his head.”

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