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Photography At CES 2011: 5 Mind-Blowing Devices

December 24th, 2010

CES 2011 will be a literal treasure trove of amazing camera goodness. Photography nerds may want to sit down now, because your legs will be shaking like jello by the time you finish this article. Here are five things every photojournalist and amateur shooter should be saving up for in 2011.

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1. Panasonic’s 3D Panoply. Avatar was OK, but you could totally do James Cameron one better if you JUST had a 3D camera. After all, blue paint is super cheap and you can make fake alien dreadlocks out of pipe cleaner. The H-FT012 is the first ever interchangable 3D lens. It has two optical systems inside the lens mount, which allows it to capture stereo images on Panasonic Lumix G series cameras.

The Lumix G is a “hybrid touch-control camera”. It records in full 1080p, in case you prefer the traditional camera form-factor to the tube-worm design of the HDC-SDT750. That’s the world’s first 3D camcorder made for mass consumers. It has a big ol’ conversion lens that looks so pretty I just want to squeeze it.

2. The ATC9K Unbreakable Camcorder. this is definitely my favorite-looking video camera ever. Oregon Scientific has made the AT9K as tough as possible. It is built out of shock-resistant material and is waterproof enough to tape your surfing or snowboarding. The camera features a flip screen / control panel in the back and a clip on the bottom that you can use to secure it to a bike or pogo stick or whatever.

My favorite thing about the ATC9K is how wildly TOUGH it looks. I’m pretty sure you could use that thing to pound in tent stakes, use it as a hacky sack, and then take it out for some light snorkelling without much worry. OK, maybe it won’t be that tough, but the chunky plastic body and simple, idiot-proof design certainly gives it that impression.

3. Polaroid Brings back Instant Photography. this teaser image was released by Polaroid a little earlier. Engadget did some enhancing and found what -looks- to be an ejection slot at the bottom of that camera’s picture. It appears that a new “instant” style camera is en route.

We’ll know for sure on December 6. It isn’t clear yet how this new device will be differentiated from the blah 300 launched earlier this year. while THAT camera was just a rebranded Fujifilm, this one looks to be a higher-end offering altogether. I think we can expect this thing to be a dual-function camera, offering digital shooting as well as immediate photo printing. maybe we’ll even get video shooting capabilities and – get ready for this – the ability to shoot video, select certain scenes from the video, and print those on demand.

None of this has been outed by Polaroid or anything. but the technology exists to support these features and, damn, would they ever be awesome.

4. The Kodak PlaySport. and here we have the ultimate evolution of ‘flip-style’ camcorders. this phone-sixed video camera can take 5 MP stills…or 1080p HD video. It is also water-resistant to ten feet and has a rubber body for some shock absorption. say hello to your new adventure camera.

5. Kodak’s Pulse Frame has an Email Address. Digital picture frames are pretty old Hat. but the Pulse has its own email address. You’ll be able to set things up so you just email your photos to the frame and it will add them to the queue. not world-changing, but a nice innovation for your living room or desk.

More Like This

  • More CES Stories
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Canon Pixma MG8120

September 20th, 2010

Mega-Guide: How to Set Up a Tech-Efficient Home Office

Our comprehensive, practical tech overhaul will put your home office miles ahead in efficiency and productivity.

Build Your Own Windows Home Server

You can cook up and configure your own on the cheap using an old PC…here’s how.

How to Add a Second Monitor

Double your display real estate by adding a second monitor. It’s a snap: Here’s how.

Replace Your Laptop Screen

A broken laptop display? Replace it yourself in six simple steps.

How to Dual-Boot Windows 7 and Windows XP

Make both operating systems live together in harmony on your PC. Here’s how.

How to Set Up a Windows 7 and Vista Dual-Boot System

Windows 7 and Windows Vista can co-exist on your PC—here’s how to make it happen.

Upgrade Your iPod’s Hard Drive and Battery

If you own a fifth-generation “video” iPod, you can boost its capacity and life. We walk you through the delicate operation.

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I've been given a TLR camera (a Zeiss Ikoflex) and so far my only …

August 10th, 2010

August 2010 Golf Diary

August 10th, 2010

Overview

With most of the UK still in need of substantial rainfall to supplement moisture loss, irrigation has been widely used throughout the summer. For many, it has been a very dry 4 months since the beginning of April, and with no immediate sign of any change, at least for much of England the current situation is set to continue.

Clubs with relatively low water storage capabilities are now looking to prioritise water use in an attempt to preserve supplies for as long as possible. Growth is minimal, other than in areas that are irrigated, therefore fuel costs will be reduced along with machinery usage for many items of mowing equipment. August tends to be a quieter month since it is the key holiday month of the year and a time when many staff also choose to take their annual vacation. As a result, society and competition play tends to be low key although there are always exceptions. Towards the end of the month there is a noticeable change in reduced daylight hours and the start of damper mornings.

Most Augusts of late have generally been dry and warm, apart from the heavy rainfalls recorded in 2004 and 2008. Therefore, the likely key issues this month are the avoidance of turf stress and to focus on reducing the risk of any late summer disease. Rainfall in August tends to be adequate although, more often than not, it does fall in short heavy bursts with inevitable challenges of bunker wash-outs and localised flooding. Since annual rainfall often has a tendency to balance out, it is best to be prepared for such eventualities.

Greens

Golf green maintenance requirements in August will be very similar to that in July, since much the same conditions apply; i.e. high temperatures, long hours of daylight and possibly limited rainfall. Added to the fact that staffing levels may be lower due to holidays, there may be a need to focus on priorities. This essentially means retaining sufficient moisture levels in the soil/root-zone and limiting the risk of turf stress. Therefore, the key aspects are to reduce the frequency of any grooming or verti-cutting and replacing this with brushing. Grooved front rollers will add to turf stress, so switch to smooth rollers if possible. Monitor mowing heights on a daily basis and raise by 0.5mm if the turf shows signs of weakness.

Consider rolling as opposed to mowing, but limit this to twice per week. Ensure that sufficient water is applied, but only for the benefit of the turf. Ideally, this should be via hand watering but staffing levels may not be sufficient for this to be practical for any length of time. Sarel rolling, micro, star or needle tining should be at the forefront of any work practices, thus ensuring that both wetting agent and water is able to move through the surface quickly and target the areas as required. Where dry patch or drought stress is confined to ridges or high ‘shoulders’, then consider applying a granular wetting agent following mini-coring to these areas. This must be thoroughly watered in for it to be effective in breaking down the waxy organic layer that surrounds the sand or soil particles.

Nutrient requirement will largely depend on the needs of the turf. In hot and dry conditions, the plant partially shuts down and therefore has less need for nutrient. However, to help the turf through such periods, then it is important to apply a mix of seaweed extracts and humic acids, along with a very small amount of Nitrogen to give the plant sufficient nutrient to restart the photosynthesis process, albeit gradually. Applying a plant growth regulator (PGR) such as Primo Maxx will help divert the plant’s energy towards the roots, thus reducing the amount of water that is required as well as improving turf density.

All of the above is, of course, good practice or sound Greenkeeping. However, many clubs are opting to hollow core greens in August as opposed to April or October. The advantages are that soil conditions are much drier, hours of daylight are much longer and recovery time is considerably less. This work, however, should be avoided if soil temperatures are high since the turf is put under additional stress and prone to injury. In advance of such treatment, the greens should be lightly fertilised to aid recovery and the rootzone sufficiently watered. Follow-up top dressing must fill the holes and may require a second but lighter application soon after.

Disease risks are also similar to those in July, namely Red Thread, Take all Patch and Anthracnose although, in some instances, Dollar Spot can also be witnessed. See comments under the heading ‘Watchlist’.

Tees

Mowing requirements are unlikely to be more than twice per week unless conditions are wet and growth remains strong. HOC will also remain at around 12mm for most courses but should be raised for non irrigated tees that are suffering from drought stress. Playing levels are likely to remain high, therefore daily movement of tee markers and regular divoting will be the norm to maintain good surface quality and presentation. Any additional watering should be sufficient to aid recovery and maintain turf vigour, but largely aimed at developing a good root structure. Solid tining, with no more than 13mm width tines, may be an option to help with moving water quickly from the surface. Keeping surfaces clean and free of divots and broken tees must be a daily task as well as the need to clean and maintain all course accessories.

A mid-season feed is likely to have been applied previously but if not then the same scenario applies re a low N, high K feed mixed with a Plant Growth Regulator. Where tees are prone to drought stress, then a wetting agent should be applied, but the surfaces will need to be watered and lightly tined in advance.

Surrounds

The collars need to be monitored for drought stress, similar to greens but in addition, also for wear since it is on these areas that triplex mowers will be constantly turning. This problem can be exacerbated where hazards are close to the greens surface. Other than a higher mowing height of around 12mm and usually with a tee triple, the maintenance of the collars should loosely follow that of the greens. High wear areas may need to be tined and dressed and mowing patterns altered to alleviate further damage. Little work other than mowing at around 35mm will be required on the Surrounds. If water can be applied to key walk-off areas then this should be applied but not at the expense of the greens and collars. A balance of priorities needs to be found.

Fairways

By August, definition between fairway and light rough can often fade due to the lack of growth and dry conditions. Much will depend on the amount of rain that falls, unless of course the fairways are irrigated. A foliar application of urea, usually about 1 x 25kg bag per fairway in 600 lts water will give a slight ‘green-up’ and may give the course some added presentation. It is a fairly low cost practice although it only lasts for a few weeks. Mowing is likely to be less frequent than in June and July, but the HOC will remain the same, with most courses cutting at between 14mm and 17mm. At this time of year, divot damage may be slow to recover, therefore divoting of the worst affected areas may be required. Any clover remaining on the fairways should be spot treated as per other weeds that may still be present.

Roughs

Mowing frequency of many areas of rough will be less in August, unless it is a wet month and growth is continuing. As before, the main areas of rough are likely to be rotary cut at 50mm. Any areas of intermediate rough will still be cut weekly, but this is limited to just one or two ‘bands’ wide. Cutting areas of deeper rough should continue, with the aim of collecting the grass and lowering the nutrient levels to encourage the finer and slower growing grasses to thrive. Late summer is also a good time to spray for dock, thistle and other unwanted weed in these out of play areas. If any clover is still prevalent in areas of rough, August is the last month where effective control can be gained. Alkaline and nutrient hungry soils, especially on new courses are particularly prone to clover invasion.

Bunkers

Maintenance during August is largely a continuation of that before, with raking being carried out most days, either by hand or via machine. With growth slowing down, any edging and trimming will be slight, but the focus needs to remain on stone and weed removal. Regular checks should be made regarding sand depth and distribution. If weed problems persist on sand faces, then these can be spot sprayed with glyphosate but care needs to be taken to avoid any drift onto the surrounding banks. With heavy downpours of rain often being recorded in August, there may be the need for sand to be pushed back up the face if wash-outs occur.

Other

Lakes/Ponds/Ditches: Apart from routine mowing and strimming, the main task is likely to be weed or algae control. The latter can be troublesome at this time of year where there is a lack of air movement and the depth is relatively shallow. If lakes or ponds are not being treated with elongated bales of barley straw, then algae can be chemically treated, but the application of any aquatic pesticide is best applied by a licensed contractor in order to meet with legislative requirements. Weeds or bullrushes are often best cleared using a mini-excavator but, if the water feature is lined, then this will need to be tackled manually which is labour intensive. On larger ponds or lakes, an amphibious craft can be used for weed removal but this is a specialised operation and good advice is strongly recommended

Paths: The main requirement will be for the on-going control of weeds via an application of glyphosate. This should also be directed to areas of steps and around ball washers, bins, signage etc. Top up pot-holes as required with the appropriate path dressing and consolidate after using a ‘whacker’ plate or heavy roller.

Watchlist:

Disease: During August, the main threat of disease is likely to come from Red Thread, Take-All Patch and Anthracnose Foliar Blight plus the possibility of Dollar Spot. Details for prevention and treatment of the former three diseases were listed in the previous two monthly articles. Anthracnose Foliar Blight is the more common and more damaging disease on Poa greens mainly and is a clear sign of the plant being under stress therefore work practices need to change and the growing environment improved. For more information on how to deal with this disease, then refer to the July diary under ‘Greens’.

The least common disease that can affect turf in August is Dollar Spot and it is Fescue that is more at risk from attack. However all species can be affected including annual meadow grass. The main causes for Dollar Spot to occur are during periods of short bursts of rainfall with accompanying high temperatures and high levels of humidity. Prolonged leaf wetness eg dew, low fertility and poor growth are the other factors that favour this disease along with the more common conditions of thatch and compaction. Therefore the main cultural practices are to reverse the above where possible to limit the risk. Should chemical control be necessary, then apply a product containing Chlorothalonil at the recommended rate.

Pests: Fortunately the risk from any pests during August is fairly low although Crane Fly (Daddy Long Legs) can be in abundance at this time of year as they lay their eggs before their life cycle comes to an end. Each adult can lay up to 300 eggs at the end of summer which take about 2 weeks to hatch. Initial damage usually becomes noticeable in November but best to be aware of initial activity as a sign of action to be taken in 3 months time.

Turf Disorders: Drought stress and dry patch continue to be the main concerns as high soil temperatures can cause stress to the turf. Applying wetting agent must be in conjunction with other practices such as micro-tining, raising the HOC and thoroughly watering the affected areas on a regular basis. Refer to comments listed under ‘Greens’.

Weed control: This is the last month where effective control of weeds such as clover can be achieved, although by this time of year, such control should be limited to areas of rough, especially if ground conditions are dry.

Equipment: Servicing and checking of equipment to continue, with the emphasis still being placed on hydraulic pipes, valves, safety switches and cutting units. When dry, use a blower for clipping removal in the rough prior to visiting the ‘wash bay’.

Irrigation: With the system likely to be in constant usage if dry weather continues, regular checks on performance and even coverage are essential, therefore all sprinkler heads and valves need to be checked on a regular basis and any dry or ‘missed’ areas acted upon immediately to prevent drought stress and eventual dry patch from forming. The system should also be checked both automatically and manually on a regular basis to ensure maximum performance and coverage.

Compound: With August likely to be a quieter month for mowing, take any opportunity to tidy up external areas of the compound and to check on supplies of sands and gravels which will be required over the coming months.

Laurence Pithie MG Turf Master One Ltd turfmasterone.co.uk

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The History of Nikon Cameras : Digital Binoculars

June 25th, 2010

» Pentax turns loss into profit as DSLR sales surge

June 1st, 2010

Pentax turns loss into profit as DSLR sales surge Wednesday 12th May 2010 Chris Cheesman

Sales of Pentax DSLRs rose substantially in the three months to 31 March, helping Pentax turn an operating loss of a year ago into a 1,331million yen profit.

‘In the digital camera area, the number of single-lens reflex cameras sold sharply increased from the previous year, and overall sales rose despite fierce price competition with other companies,’ states Pentax’s owner, Hoya, in a financial statement.

‘As a result, sales for the quarter in this segment stood at 25,920 million yen.’

Hoya adds: ‘As for operating income and loss, the effects of cost cutting, achieved via reorganisation during the previous year, produced an operating profit of 1,331million yen, showing a significant improvement in profitability compared to a huge operating loss for the same quarter one year ago.’

The Pentax business segment also includes interchangeable lenses and products such as endoscopes.

The news comes as Pentax prepares to launch its 645D medium-format digital camera onto the Japanese market and soon after the firm’s UK office promised an ‘exciting year’ ahead.

READ ALL OUR PENTAX STORIES HERE

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America in the '30s | MetaFilter

May 30th, 2010

Advertise here: Contact FM.

He’s so sure the African-American and Indians pictured are “suspicious” of the “white photographer”

Hey, I’m suspicious” of “white photographers”, and I am a “white photographer”.

Well, anyway, clearly it was the Kodachrome they were suspicious of: they’d have had no problem with a black & white photographer.posted by flapjax at midnite at 4:22 PM on May 19

Kodachrome went though several variations during the course of its lifetime. One photographer in particular went so far as to stock several hundred thousand dollars worth of 4×5 film in a walk-in freezer when Kodak changed it in the ’60s.

In the ’80s, when I picked it up, Kodachome 64 was where it was =at=… to the point where Nikon got a bum rap for the way they had their optics handle reds… it wasn’t off, it was optimized to see things the way Kodachrome did! Sorta. (Note to Nikon – you don’t need to still be doing it.) As a Pentax and then Contax fan, it was still awesome, as it was tack-sharp, saturated without being over saturated, offering depth and character that could not be equaled…

…until Fuji came out with Provia F.

Forget Velvia, Veliva sucks, Provia F and Provia 400 were magic in a little 35mm can. With a lens that emphasized accutance and bokeh (Carl Zeiss and Leica), looking at a photo under a loupe on a light table was like looking at a 3-D image – with one eye!

Kodak let Kodachrome wither and die, as it was expensive to manufacture and process, and Provia was just standard E6 process, overnight or 1-hour at most pro photo labs.

Now, color film is dead. Digital has a looong way to go to match the tonality and lattitude and contrast control of black and white… but the battle for color was actually lost in 1990, when Kodacolor Gold 100 became available in medium format and 4×5, and offered five-stop lattitude and better color representation than any of the chromes. Oh, and the digital thingy happened too, somewhere in there.posted by Slap*Happy at 9:48 PM on May 19 [1 favorite]

« Older DEEDLY WEEDLY DEEDLY WEEDLY DUMB DUMB DUMB….   |   Roma/Gypsy Interiors and Afric… Newer »

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Eight Great Sleeper Hits for Summer 2010 – VideoHound Blogs …

May 13th, 2010

As star power seems to lose a bit of luster every summer season, it becomes harder and harder to even qualify what the word “sleeper” even means. Before its release last year, The Hangover was touted so widely as a potential sleeper hit that it became pretty much a box office guarantee and something of an oxymoron.

It seems that the general consensus is that anything that makes a truckload of cash that’s not based on a comic book or TV show, not a sequel, and not headlined by major stars can be called a sleeper. The funny thing is how few films are left when you remove the sequels, adaptations, and star vehicles from the upcoming summer season. Which could break through? What will be this season’s District 9, the true out-of-nowhere sleeper of last year? Is there a Hurt Locker in the bunch? It may be too soon to tell what could take off in August, but there are a few films we have our eyes on below the blockbuster line. Here’s eight you should mark on your calendar.

(Note: Synopsis information courtesy of IMDB.com.)

Release Date: May 28th, 2010 (VOD on April 30th, 2010)
Starring: Alan Van Sprang, Kenneth Welsh, Kathleen Munroe, Devon Bostick, and Richard Fitzpatrick
Director: George A. Romero

Synopsis:
On an island off the coast of North America, local residents simultaneously fight a zombie epidemic while hoping for a cure to return their undead relatives back to their human state.

Why It Could Wake Up: Call this our optimistic pick of the season as Romero’s third Dead movie in six years seems unlikely to be a huge sleeper hit. We haven’t seen Survival of the Dead yet, but the world of horror needs to keep filmmakers as talented and important as George A. Romero in business. Unless you want a never-ending stream of personality-less junk like the Final Destination and Saw sequels, horror fans out there owe it to their genre to make Survival of the Dead a sleeper hit. With the VOD debut weeks before most people will have a chance to see it in theaters, a high domestic gross seems even more unlikely (although we sure hope it surpasses the under-$1 million brought in by Diary of the Dead) but we hold out hope that Romero’s continued box office slide will turn around and one of the true masters of horror will rise from the near-dead.

Release Date: May 14th, 2010
Starring: Queen Latifah, Common, and Paula Patton
Director: Sanaa Hamri

Synopsis: A physical therapist falls for the basketball player she is helping recover from a career-threatening injury.

Why It Could Wake Up: Because director Sanaa Hamri’s highly underrated and mostly unseen Something New should have been a hit and it’s about time Common became a romantic movie star. There are very few date movie alternatives this May and it’s easy to see Just Wright developing into at least a moderate Queen Latifah hit. When she headlines a movie, $40 million domestic seems to be a bar that can’t be reached, but the presence of Hamri and Common along with the dearth of romance this season could turn this into a surprise smash just as the timing proved serendipitous for What Happens in Vegas on the same weekend two years ago, turning that film into a much bigger success ($80 million) than anyone initially predicted.

Release Date: May 28th, 2010
Starring: Dany Boon, Andre Dussolier, Nicolas Marie, Jean-Pierre Marielle, Yolande Moreau, and Dominique Pinon
Director: Jean-Pierre Jeunet

Synopsis: A man and his friends come up with an intricate and original plan to destroy two big weapons manufacturers.

Why It Could Wake Up: Because Jeunet rules and the buzz from people who have already seen the film has been spectacular. Don’t we need at least one foreign sleeper hit this season? The sad thing is that the audience for foreign language films seem to be dwindling. You would think that future generations would be more open to other cultures but they don’t seem to want to read while they eat popcorn with no film not in English breaking $20 million domestically since 2006 (Pan’s Labyrinth). Last year’s highest-grossing foreign language film (3 Idiots) couldn’t hit $7 million. It seems likely that the first film from the director of one of the most successful French entries of all time (Amelie) since A Very Long Engagement (2004) should be able to crack that low ceiling. Is Micmacs a sleeper hit if it makes $10 million? Comparatively, yes, but the potential for this one to be another Amelie and go way beyond that is there and we’re hoping it’s the smash it could be.

Release Date: July 2nd, 2010
Starring: Kiefer Sutherland, Emma Roberts, Chace Crawford, Ellen Barkin, Ethan Peck, Rory Culkin, and 50 Cent
Director: Joel Schumacher

Synopsis: A young drug dealer watches as his high-rolling life is dismantled in the wake of his cousin’s murder, which sees his best friend arrested for the crime.

Why It Could Wake Up: A potential sleeper from a director who was at least once as A-list as Joel Schumacher seems odd but the director of Batman & Robin does not have the industry respect that he once did. In fact, when this played at Sundance, Roger Ebert wrote that it was being dismissed simply because of its director’s reputation for crappy movies and that this one was an underrated gem. We haven’t seen it, but the idea of a director who has come across as egocentric as Schumacher venturing into Bret Easton Ellis territory with a tale of beautiful rich people acting like complete idiots is definitely more intriguing than, say, Phone Booth. Of Twelve Ebert wrote, “The film is very well acted, and dark, dark, dark. The director is Joel Schumacher, assured and fearless on a small budget and short shooting schedule which seems to add spontaneity. Schumacher is not fashionable with Sundance types, and I suspect this will emerge from the festival with reviews that don’t concede its power. But it will perform.” Do you want to argue with Roger Ebert?

Release Date: July 9th, 2010
Starring: John C. Reilly, Marisa Tomei, Catherine Keener, and Jonah Hill
Directors: Jay Duplass & Mark Duplass

Synopsis: A recently divorced guy meets the woman of his dreams. Then he meets her son.

Why It Could Wake Up: The cast is excellent, the concept is funny, and Mark Duplass has been one of the more interesting indie comedy voices for years, rocking in The Puffy Chair (which he also wrote and directed), Humpday, FX’s The League, and Greenberg. He’s got perfect comic timing as an actor and we can’t wait to see what he can bring as a writer/director to a more high profile cast than he did in The Puffy Chair and Baghead. And look at that cast. If you’ve seen previous Duplass films, you know that Reilly, Keener, and Hill have that dry deadpan sense of realistic humor that should make them perfect fits with these talented filmmakers. An art house indie-size sleeper hit seems downright likely and it could even break beyond that to become a top ten film at least once.

Release Date: July 30th, 2010
Starring: Bill Murray, Robert Duvall, Lucas Black, and Sissy Spacek
Director: Aaron Schneider

Synopsis: A movie spun out of equal parts folk tale, fable and real-life legend about the mysterious, 1930s Tennessee hermit who famously threw his own rollicking funeral party … while he was still alive.

Why It Could Wake Up: The buzz on Get Low has been getting louder and louder for months and much of it centers around two of our best actors who could easily be Oscar contenders in a little less than a year – Bill Murray and Robert Duvall. Could this be Summer 2010’s Crazy Heart? For this one to become anything bigger than a modest art house hit, it’s going to have to be great, and even then the box office ceiling is only so high. Even Crazy Heart couldn’t break $40 million domestically and that’s with the juice of an Oscar for Best Actor. If Duvall and Murray are as good in this piece as we’re hearing they are, Get Low could end up with a similar gross, making it a relative sleeper hit for the season.

Release Date: August 27th, 2010
Starring: Josh Radnor, Malin Akerman, and Zoe Kazan
Director: Josh Radnor

Synopsis: A look at the lives and loves of six friends in New York City, and how their existence is changed when struggling writer Sam (Radnor) finds himself the unlikely guardian of a boy who becomes separated from his family in the subway.

Why It Could Wake Up: Summer 2010′s most likely (500) Days of Summer is this comedy from the star of How I Met Your Mother, the winner of the Audience Award for drama at this year’s Sundance Film Festival. Past winners of said award include Precious: Based on the Novel ‘Push’ by Sapphire, Hustle & Flow, and Hedwig and the Angry Inch (although The Wackness winning anything proves that the air can sometimes be a little thin in Park City). Also, doesn’t it seem like we’re a bit overdue for a beloved “being young in New York City” movie for the new millennium? It could easily be Radnor’s highly-touted directorial debut.

Release Date: August 27th, 2010
Starring: Adam Scott, Elisabeth Shue, Eli Roth, Christopher Lloyd, Ving Rhames, Dina Meyer, and Richard Dreyfuss
Director: Alexandre Aja

Synopsis: A tremor under the surface of Lake Victoria unleashes scores of prehistoric piranhas, an event which rallies the local sheriff (Shue), who will risk everything to save her townsfolk.

Why It Could Wake Up: Because it looks SO much better than last year’s one-two punch of horror crap that came on the last weekend in August with new-and-dreadful sequels to Halloween and The Final Destination and those two films combined made around $100 million domestically. Piranha 3-D looks like it could be the perfect guilty pleasure closer to a season that’s going to be filled with films that you might be a little ashamed to tell your friends you’re dying to see (The A-Team, Predators, The Expendables). What better way to go back to school than with three-dimensional man-eating fish jumping into your lap? That could wake everyone up.

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Jake Gyllenhaal as the 'Prince of Persia': You try on a coat, you wear for it …

May 1st, 2010

Leica Mini Digital Camera

April 27th, 2010

The latest Leica mini digital offered by Minox can make an ideal choice which perfectly combines classical vintage style and outstanding technology in just one unit. The compact and stylish digital camera features a commanding 32 megabytes internal memory, 1.5 inch color display, 5 mega-pixels resolution and around 2 GB space for storage on SD cards to help photographers take images in the best quality. Being exceptionally effortless to use, this latest camera from Minox is one of the best choice for all those who need to get into photography.

This equipment is tiny enough to fit in your pocket making it an ideal device for all the sports personals. Movie sequences can even be recorded though its DCC technology in AVI format. The digital camera offers a magnificent quality images and hence is a popular choice among people who have great photographic skills. Being designed with 5 mega-pixels resolution, the images taken are perfectly explained through its higher tone. Some other great features of this digital camera include the lenses, a picture editing system and the sensors. These great features along with others are combined in this digital camera to offer magnificent image quality. The essential speed of ISO 160 in union with the CCD picture sensors which is extremely low sound, works perfectly with the camera. ISO 25000 is said to be the fastest speed needed and so there are different ranges from minimum to maximum.

This actually makes the use of Leica M3 digital with light photography one of the best choices. However, this has really been one of the best features of the M model. This latest mini digital camera is an adorable and impressive mini camera which is wrapped with scale reproduction of 1/3 of the new Leica rangefinder. This latest miniature digital camera appears to be one of the best choices which cost just about $225. Some other amazing features of this digital camera includes excellent video mode that can capture motions in AVI format, digital zoom of 4X, 5 mega-pixels resolution, 1.5 inches LCD/TFT screen display, 32 megabytes internal memory, USB interface that includes a cable, Li-ion rechargeable batteries, SD card space to extend the memory to more than 8 GB and is compatible with the Classic camera series of Minox digital cameras.

So, with all these excellent features, this latest offers a detail setting and the best quality images to anyone looking to capture perfect images. The CCD imaging sensor of this digital camera was specially created to fit the settings of the entire series and due to this the resolution of 5 mega-pixels is magnificent. This latest CCD technology helps in reducing the noise considerably making the photographer to get excellent quality photos. Overall, the Leica mini digital camera is entirely covered with all the necessary features making this camera the best choice for everyone.

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Casio Exilim EX-H15 camera

April 26th, 2010

Once you’ve tried a compact camera that has successfully shoehorned in a big zoom whilst maintaining pocket-sized dimensions, going back to using a regular 3x or 5x zoom model will leave you feeling creatively short-changed.

Pulling off that Tardis-like feat this time around, and offering more scope when it comes to how you frame your shots, is Casio’s Exilim EX-H15. Its dimensions are 102.5 x 62.1 x 29.3mm and it weighs a robust 206g with card and battery on board.

Justifying the “H” in the model name, the manufacturer describes the camera as a “high speed, high zoom” – the former courtesy of a zippy fifth generation Exilim Engine processor, and the latter by virtue of the integral 10x optical zoom (24-240mm in 35mm film terms). Wide-angle vistas, group shots or intimate portraits can therefore be yours with a toggle in either direction of the zoom switch encircling the shutter release button on the top plate.

The EX-H15′s other headline features are 14.1-megapixel effective resolution, plus 1280 x 720 pixels high-definition video with a maximum 29 minutes recording time for a single sequence and the advantage of a one-touch record button top right of the camera back, saving the need to tab through menu or mode options to otherwise select the feature. Disappointingly, as the zoom itself is rather noisy in operation – with a definite mechanical buzz as it moves through its range – its use is disabled when shooting video, with only a digital zoom to fall back on by way of concession.

Shame also that there’s no HDMI output for playing back footage directly on an HD TV as with big zoom competitors from Kodak and Canon; here we get a shared single port for USB 2.0 and standard AV output and the relevant cables in the box.

Further allowing for user friendly point-and-shoot operation are some 40-odd Best Shot scene/subject modes and not one but two auto modes, regular and “premium” auto, the latter Casio’s take on the Smart Auto and intelligent Auto functionality of Canon and Panasonic respectively. Among the “BS” modes are some Art Shot digital effects filters, including an impressionistic Old Painting mode that impressively delivers a result in the style of Van Gogh.

For those who like to get up close, macro focus can deliver sharp shots up to 7cm from your subject. There is, in addition, a dedicated button on the top plate for alternating between blemish smoothing “Make Up” and “Vivid Landscape” modes. We felt this button would have been of more use if given over to the Art Shot effects, rather like the Art Filters on the Olympus Pen series have their own quickly selected mode dial setting.

Its manufacturer is also very proud of the camera’s battery life, and at 1,000 shots from a full charge it should be, most competitors in its class struggling to manage 250 pictures. These are written to SD or SDHC card, with the option to also utilise Eye-Fi media for wireless download, plus there’s an internal 73.8MB capacity as back up.

Available in a quartet of different coloured bodies, we had the traditional yet not unattractive silver version for review. Pick the EX-H15 up and it feels reassuringly robust when gripped, inevitably slightly wider in depth than more modest zoom compacts. This is not in itself a bad thing, as it helps in holding the camera good and steady in both hands, though because most of the back plate is swallowed up by the 3-inch, 460,800-dot resolution LCD, said screen quickly becomes covered in thumb prints. As a concession to an actual grip, at the front there’s a narrow stylish sliver of raised metal and plastic over to its left hand edge, while four small raised nodules forming a square at the back stop your thumb from slipping.

Switch the camera on via the dedicated button next to the shutter release and the EX-H15 powers up in just under 2 seconds – fast for this class of camera. Even in single shot auto mode full resolution stills are committed to memory in around a second, when the average is 2 or 3. Good work Casio.

Helping achieve a greater proportion of sharper shots when shooting handheld, Casio has thoughtfully included image stabilisation of the CCD-shift variety, moving the sensor to compensate for external wobble. However at maximum telephoto we still got the occasional soft shot, even in broad daylight.

Otherwise when given ideal conditions, photos are bright and colourful though display a loss of sharpness towards the corners at 24mm equivalent wide-angle setting. Pixel fringing is also visible on very close inspection. As far as low light photography is concerned, the EX-H15 offers a respectably broad ISO range, from ISO64-3200 and delivers noise free results up to and including ISO400, detail only moderately softening at ISO800. Though by ISO3200 we’re losing edge definition and the photo is beginning to take on a painterly aspect, ISO1600 is useable at a push. In the main the EX-H15 affords a wider selection of photo taking than most amateurs will be used to, so is worth the modest premium.

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Mercedes Benz R-Class – The Luxury of Mini Van and SUV

April 14th, 2010

Mercedes Benz R-Class is a combination of the luxury saloon concepts, a sport station, MPV and SUV. It is MPV because it has six seats, SUV because it uses permanent 4 wheel drive, plus the DSR and off-road function that helps drivers handle the sharp rise. It also is Luxury Saloon because of the material used for the interior of R class and the comfort, the design took the specifications from the concept of a luxury sedan.

Engine Specifications

R500 Series powered by V8 5000cc engine, while the R350 powered by V6 3500cc engine. R500 produces 306 hp at 5600 rpm, while the R350 produces 272 hp at 6000 rpm. The torque of R500 is 460 Nm at 2700 to 4750 rpm, while the R350 produces 350 Nm at 2400-5000 rpm. The R500 acceleration from 0-100km / hour is 7 seconds, while the R350 are able to accelerate from 0-100 km / hour in 8.4 seconds.

The maximum speed of the two series is not too significant, with the maximum speed of R500 is 245 km / hour and R350 is 230 km / hour. To accommodate the speed, R500 uses 18-inch rims (5 twin-spokes) while the R350 uses 17-inch rims (7 twin-spokes).

Safety and Technology

This car is equipped with an electronic lever 7g-tronic (automatic transmission lever which can reach seven speeds). Just like other series of Mercedes-Benz, lighting system of R-class also has auto adjust feature. The system will adjust the lighting that issued by the received light pressure. Mercedes Benz R-Class also has a rain sensor where the wiper will automatically turn on when rain and be adjusted to the rhythm and the amount of rainfall.

The air conditioning systems used by the R-Class is Thermotronic or multi-zone system that allows the temperature on left, right and rear can be set automatically or manually. This system works accordance with the solar sensor that can detect the direction and heat of the sunlight. For the headlights, Mercedes Benz R-Class uses Bi-Xenon light, the best of lighting system at present.

The Bi-Xenon light has three functions: Active Light System, when the speed is between 40-70 km / hour, and when the car will turn then the headlights will follow the path so that the lighting will achieve the maximum lighting. Likewise when the car is up or down, the headlights will adjust automatically. There’s also the Cornering Light which functions to provide the further warning to the vehicles or people around the car if the car wants to spin (not the sign or the turning light).

The other safety systems are ABS, ESP, BAS, and alarms to prevent from the theft. For the R500 series, there is another feature that is keyless-Go, a feature that allows the driver to start the engine without removing the key from the bag.

Multimedia and Comfort

For multimedia, the Mercedes Benz R-Class has similar features with S-Class series or CL-Class series. The COMAND APS feature that integrates the radio, DVD, and the operation of the phone is one of them. The COMAND APS feature can also be used to view the map (GPRS).

Six CD changer (MP3 support) with 20 audio systems with the optional Harmon Kardon Logic 7 audio system for USD $ 1,190 is also included in the R-Class multimedia features. Steering wheel equipped with auxiliary controls for audio system, information, and telephone (if available). All seats of Mercedes Benz R-Class

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How to Buy Wholesale Disposable Cameras

April 2nd, 2010

Image : flickr.com

Wholesale disposable cameras are disposable cameras bought in quantity. Bulk disposable cameras are the best disposable camera much more online. If you really want to save money, disposable digital cameras disposable and can be bought wholesale in the crowd.

This is a good idea for many occasions such as weddings, where they are provided as a favor table for each customer to enjoy the reception. One company offers this for $ 11.95 for each camera (this is for a batch of 20 ormore and even the cameras, processing, cards on the table and instructions for the settings of the place and a free site that includes pictures). In general, a higher amount may be in a lower price.

Large or bulk disposable cameras, disposable cameras usually offer 27 exposures and 400-800 ASA film sensitivity. Sometimes they are equipped with flash, and can be used for internal and external. Sometimes cameras come with images imprinted in it, and this decoration outdoors (whichInfluenza can) the performance impact of the price. Search for “Out-of-season images, like an American flag in the month of December or a Christmas tree in the month of July.

Disposable cameras with many features can be considered a good price when purchased in large quantities and / or wholesale. For example, a re-loadable underwater sports camera with flash, 27 exposures of 400 ASA speed and for less than $ 5 is when purchased in large quantities (25 or more).

There are many online sources, such as eBay. To order, is a good ideaTrack, obsolete, or simply keep up to date reused cameras.

There are many ways to extend, buy bulk disposable cameras with the best price for many occasions such as weddings, receptions, Bar / Bat Mitzvah, Holidays, New Year, School Proms, retirement dinners, corporate events, conferences, meetings, dances – the possibilities are endless.

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Movie-Script Transcription Services

March 30th, 2010

How technicians use movie transcripts for different processes?

Time was when movie makers used hand-written scripts for movies, but times have changed and screen writing has become an organized profession, it is a creative process. The movie screenplays need formatting, so that actors are able to read the script and play their part assigned to them.

Many talented people, the technicians, artists, production executive’s work as a team for making a movie, all of them require a properly formatted script, a screenplay cannot be used for movie making unless a formatted script is not available. The process of converting a screenplay into a formatted script begins with first breaking down the screenplay into a time schedule that includes the number of days and nights of filming required.

The film may have different sequences, a formula that experts use is one film script page will require one minute of film, and this calculation helps them to schedule the filming accordingly. The movies have a rhythm of story telling that have a blend of action, camera techniques, music and sound effects and dialogue. The formatted movie script allows the professionals involved in the production to foresee the direction the movie will follow.

The screenplays consist of 110 to 130 pages when formatted, and after filming the script, the running time of the movie is close to two hours, this is where formatted scripts play an important role in movie making. The standardized script formatting allows movie makers to handle multiple projects simultaneously.

The formatted screenplay printed copies are on white paper with black ink. The fonts used are 12 point Draft Courier or 12 Point Courier New. The rewritten parts of the printed script are on colored paper, and every time new content added to the scripts is on a different colored paper, the transcripts start with white followed by blue, pink, green, yellow, goldenrod, and salmon. There are transcription companies that specialize in preparing formatted movie scripts.

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