Luke Judge

In January 2011, pioneering documentary filmmaker Frederick Wiseman visited Salt Lake City for a special screening of his little-seen 1967 directing debut, Titicut Follies, about the patients/inmates at Massachusetts’ Bridgewater State Hospital for the criminally insane. During that same local stop, he also answered questions at the Salt Lake City premiere of his most recent feature, Boxing Gym. And thus, in the course of just a few days, Utah residents were able to span the 40-plus-year career of a filmmaking legend.

this week’s Master Class with Wiseman looks to accomplish a similar feat over the course of just a single evening. the Utah Film Center and RadioWest jointly present a “Through the Lens” conversation with Wiseman, covering landmark films that have brought the workings of sprawling institutions onto theater and television screens: Titicut Follies, High School, Public Housing, Domestic Violence, the Garden, State Legislature. Though his style has often been described as “fly on the wall,” Wiseman is more than just a passive pair of eyes through which we can watch these institutions at work. his gift throughout his career has been sifting through his hours of footage to put an intimate, human face on subjects infinitely more compelling than their simple titles suggest.

Through clips, questions and conversation, Wiseman will explore his career and his philosophy. as Sundance approaches, it’s a chance to warm up your filmmaker Q&A skills with a living legend. (Scott Renshaw)

Frederick Wiseman Master Class @ Rose Wagner Center, 138 W. Broadway, 801-746-7000, Jan. 5, 7 p.m., free on a first-come, first-served basis. UtahFilmCenter.org

film Clippings landmark films, local 115, public housing, rsquo, television screens, titicut follies

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film Ads Flyers biscuits, cat owners, distinction, flavors, pet food, purple color

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First in array of 3D films – “Haunted” – set for universe far-reaching recover on May 5, 2011

Number of 3D screens dedicated to Indian calm approaching to arise to 1,200 in a subsequent two-three years in India and a GCC

BVG and DAR, a latter spearheaded by a Dubai-based entrepreneur, denounced a devise to deposit AED 80 million in producing a tube of 3D cinema in a subsequent dual to 3 years, with a initial prolongation – Haunted 3D – all set for worldwide release, including in Dubai, on May 5 2011. The film will play in a sum of over 20 screens in a GCC, including 3D and required 2D.

The incursion into a 3D cinema by a prolongation houses follows an endless investigate among assembly with a infancy of respondents voting for a format.

`Haunted,”  India’s initial stereoscopic film shot wholly in 3D, destined by Vikram Bhatt, is approaching to be a miracle in a Indian film attention for a out-of-the-box thesis and nonconformist execution by Bhatt, good famous as a master craftsman in a Horror genre. The remaining dual cinema in a BVG-DAR understanding will be edge-of-the-seat movement thrillers.

BVG Films (BVG) is a multiplication of ASA Productions while DAR Motion Pictures (DAR) is a film party multiplication of DAR Media Private Limited, a DAR Capital Group Company, with offices in India and opposite a universe including in Dubai. The partnership of BVG and DAR is also assimilated by a world’s largest satellite delivered digital cinema network UFO Moviez India Limited (UFO).

Announcing a partnership, Vikram Bhatt, Movie Director and Board Member ASA Productions said: “a new attention is rising and this is a emergence of that industry. When several disciplines of a film creation business come together zero can keep a attention from flourishing from strength to strength. This is a large entrance together of Production, Distribution and Exhibition companies to keep a 3D space alive and kicking!”

“This partnership is a enormous step towards quick tracking a Indian 3D revolution,” pronounced Arun Rangachari, Chairman, DAR Capital Group. “There is no doubt that 3D films are a destiny not usually internationally though in India as well. given a finish faith in this record and a duck and egg conditions between a film muster and placement companionship and producers in India with regards 3D films, we motionless to take a bearing with Vikram and UFO, another partner who shares identical views on a 3D outlook.”

While BVG DAR will be spearheading a prolongation and selling effort, UFO will colonize a bid in augmenting a 3D agreeable theatres in a nation from a stream 130 peculiar screens to around 250-300 screens for a Haunted 3D recover in May 2011. By a time of recover of a third film of this consortium a approaching series of 3D screens in India is approaching to arise to approximately 1200 screens.

Commenting on this poignant association, Mr. Kapil Agarwal, Joint MD, UFO Moviez India Ltd said: “We during UFO Moviez are committed to raise a country’s 3D footprint and being a colonize in this industry’s technological revolution, we are focused on bringing in this subsequent call of change by a innovative business indication designed around state-of-the-art 3D digital cinema systems with satellite formed smoothness to theatres opposite a country. This beginning of partnering with DAR Motion Pictures and BVG Films, is an critical step in a plan to precedence a destiny expansion intensity of 3D technology. UFO’s suspicion care and creation seeks to broach good services that will yield wider entrance to audiences to constrained content, whenever and wherever.”

Haunted 3D, a Sub-continent’s initial new call 3D stereoscopic film will underline a latest digital 3D cinematography and projection techniques seen in Avatar (2009), a James Cameron blockbuster that combined box bureau story and popularised a new format worldwide. Furthermore, filmed by a obvious 3DCC’s general group of technicians, including Brent Robinson, Christan Jeams and Cassidey and Micheal Reuben Flax, who have worked on a 3D and fear genre in Hollywood films like Resident Evil – a Afterlife, Saw 7, The Incredible Hulk, etc., a film has been shot with a crew’s tradition 3D stereoscopic digital suit design camera complement and rigging.

About BVG Films (A Division of ASA Productions and Enterprises Pvt. Ltd):The raison d’etre of ASA Productions Enterprises Pvt. Ltd. is to give a good thought a execution it deserves. With Vikram Bhatt, who has destined strike films such as Ghulam, Raaz and 1920 during a front on a artistic and business front, a tour in a party attention began prolonged before it was determined in 2006. 

At ASA, we wish to essay to make a new ideas come alive. We wish to emanate brands that reflect good music, conclude visible display and technical brilliance. Our ventures and projects are grounded in this vision, not singular by prolongation of usually underline films. Thus, we are concurrently embarking on aggressively environment adult additional business verticals in Entertainment, commencing with Music, Home Video, and Television. ASA has been intent in a placement of song home video in India and will now embody suit films for theatrical, non-theatrical and promote distribution.

It was launched to fill a opening in a marketplace to spearhead a bearing into a party attention of a largest film creation nation and aims during being a full use placement organisation representing programming for both a domestic and general marketplace, including cable, satellite, giveaway TV, video-on-demand, broadband, Internet, educational and home video/DVD. ASA skeleton to obtain placement rights of Indian unfamiliar films. 

About DAR Motion Pictures: DAR Motion Pictures (DARMP) is a filmed party multiplication of Dar Media Private Limited, that forms partial of a tellurian investment advisory and private equity firm, DAR Capital Group. Established with a organisation joining to rise a operation of peculiarity cinema projects in Hindi and other informal languages of India, DARMP aims to take full advantage of a extensive seductiveness and passion that a country’s cinema has generated opposite a world.

DARMP aims to indigenously detect and rise bench-mark artistic concepts, implement a best accessible technical and artistic expertise, muster extensive selling best-practices and implement a horde of innovative and focused calm smoothness channels, to strech out to audiences not usually in India though globally.

DARMP lass bi-lingual prolongation (Hindi chronicle patrician ‘City of Gold’, Marathi chronicle was patrician ‘Lalbaug Parel’) perceived an superb response from both critics and audiences. DARMP has grown a prolongation line-up of 11 film projects, several of them in mixed languages by 2012.

About UFO Moviez India Ltd. UFO Moviez, founded by a Valuable Group and jointly promoted in organisation with Apollo International Limited, is a largest sequence of satellite formed digital cinemas in a universe with tighten to 2500 theatres opposite India, including 35% of Multiplex screens. UFO Moviez downloads digitally mastered high peculiarity film images by satellite directly to cinema halls facilitating far-reaching recover of any film but any additional cost in prints for calm owners and rare observation pleasure to film viewers comparison and has compartment date screened roughly 7 Million shows all over India and has expelled over 3100 cinema compartment date in 23 languages. UFO has revolutionized a approach films are distributed and exhibited in India by a pioneering record and infra-structure. UFO Moviez envisages a ‘FIRST DAY FIRST SHOW’ regime for film distributors and cinema owners opposite a country. UFO Moviez has been providing a record solutions to peculiarity unwavering Indian audiences. UFO also demonstrated a capability of display live IPL matches in cinemas opposite a country, both in 2D as good as 3D. currently, UFO is a marketplace personality in digital cinema marketplace with tighten to 80% of a sum marketplace share.

For serve information greatfully contact:For ASA Productions and Enterprises Pvt. LtdJaymin Panchal / Alekhika Tripathy+919323431343 / +919967589847

For DAR Motion Pictures:Ashish Raikar / Aarti Jadhav+919820234202 / +919819993075

For Universal Communications:Parag Desai / Kavita Prasad+919820062082 / +919867860167

© Press Release 2011

Filed Under: Hindi Movies

film Programmes Brochures landmark partnership, precedence

Posted on: Friday, 11 March 2011, 16:58 CST

Proteins in fluids bathing the brain are essential for building the brain, discover scientists in a report published March 10 in the journal Neuron. the finding promises to advance research related to neurological disease, cancer and stem cells.

Before now, the fluid surrounding the brain was generally considered to be a sort of salt-solution that simply maintained the brain’s ionic balance. recent reports of fluctuating proteins in the fluid suggested otherwise, however. And thus, a multi-institutional research teams at the Children’s Hospital in Boston, led by Maria Lehtinen, Mauro Zappaterra and Christopher Walsh and researchers from the George Washington University School of Medicine and Health Sciences in Washington, D.C., decided to take a closer look at what proteins in the fluid do. What they found shocked them: as embryos and their brains are growing, a type of protein that tells brain cells to multiply increases in the so-called cerebrospinal fluid.

"this study is a game changer," says Anthony LaMantia, director of the GW Institute for Neuroscience at the GW School of Medicine and Health Sciences and an author on the paper, along with Thomas Maynard, Associate Professor of Pharmacology and Physiology at GW. "It’s remarkable that signals are coming from the cerebrospinal fluid – it makes sense but no one really thought about it in this way."

Brain cells in the cortex — the part of the brain responsible for cognition, learning and memory — multiply and move to their appropriate position between the second and third trimester of embryonic development in humans. but until now, researchers have had little luck finding the molecular signals that direct the process as well as determining how the signals get delivered to the cells that need them.

The current team extracted cerebrospinal fluid from mouse embryos around two weeks after conception, when their brains develop most quickly. the fluid contained high levels of a protein, insulin-like growth factor or Igf2, which is known to help stem cells multiply and differentiate. Notably, the protein isn’t elevated after birth. when the authors blocked Igf2, stem cells in the brain stopped making brain cells, which resulted in abnormally tiny mice brains. And when the team placed brain stem cells in a dish filled with Igf2-rich, embryonic cerebrospinal fluid, the cells proliferated rapidly. "this was clearly the environment the stem cells needed to be happy," LaMantia explains.

Brain cell proliferation is only a good thing when the time is right, however. After all, unrestrained cell multiplication leads to tumors. according to this report, Igf2 knows it’s time to activate in the fluid because of proteins in long cells that surround the fluid. These long glial cells stretch from the inner part of the brain, where the fluid is, to its outer layer. they form early in brain development, and younger brain cells crawl along them during development as they find their appropriate positions like patrons filing into an opera house. At the innermost-end of the cells, at a spot called the apical domain, two proteins regulate Igf2 by altering other proteins at the surface of the glial cells, which bind to Ifg2.

If one of the steps in this pathway goes awry, Ifg2 could be activated at the wrong time causing uncontrolled proliferation. indeed, brain cancer patients with the worst prognosis appear to have the highest levels of Igf2.

However, the fact that vital signals are sent from cerebrospinal fluid could be good news for cancer patients. "It’s difficult to deliver a drug that will influence a specific spot within the brain tissue," says LaMantia. instead, clinicians might one day infuse brain fluid with medicine – possibly one that blocks the signals from Igf2 telling cells to proliferate. "the possibilities for using the fluid as an efficient mechanism to deliver small molecule drugs are endless," he says.

Stem cell researchers now have another possible mechanism to explore in regards to how stem cells in other parts of the body differentiate and multiply. perhaps researchers might find important proteins in what was thought to be benign fluid associated with the lungs, intestines, or other organs.

Finally, the study contributes to research on schizophrenia, autism and other neurological disorders thought to result from an erroneous arrangement of brain cells. Researchers must learn how brain development goes awry before they can design treatments, and therefore they must know how brain cells proliferate and move to the right position normally.

"this study was a massive undertaking requiring multiple labs with different resources," says LaMantia. "this is a remarkable line of investigation, and there are enormous possibilities for future work in this area."

On the Net:

• George Washington University Medical Center
• Neuron

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film Cells george washington university school, lamantia, mauro, neuroscience, s hospital

Farrelly brothers’ comedy devoid of laughs, lacks any semblance of entertainment value

Rating: D-

A foolproof way to tell that a film is in the lowest tier of comedies is if, during the previews, the trailer for the latest Tyler Perry disaster (which he calls a movie) contains more laughs than the film you paid to see. the billing of the Farrelly brothers’ latest bastardization of a film, “Hall Pass,” as comedy is the worst entertainment fraud since Milli Vanilli.

One could argue these judgments are a tad extreme; however, I think they actually sell the film short. In fact, I am saddened I do not possess a versatile enough vocabulary to fully encompass the abhorrence that gurgled deep in the pit of my stomach while Owen Wilson’s whiny and obnoxious voice grated my eardrums for two-hours.

The Farrelly brothers’ signature films rely on extreme humor (usually crude gags), and while the movies may be pretty awful at times, they aren’t usually boring. “Hall Pass,” however, manages to achieve that mediocrity while being excruciatingly hum-drum, which truly is testament to the brothers’ devolution as filmmakers.

The film centers around the concept of a week free from the duties of marriage. Granted this freedom by their wives, the main characters — two middle-aged, married men — can do literally whatever they want. the theory behind this inane concept is the age-old adage, “Absence makes the heart grow fonder.”

If the hall-pass concept seems like a disastrous relationship tool, it’s probably because it is delivered by Joy Behar, who plays Dr. Lucy, a voice of reason. Naturally, instead of just sleeping with the foxy neighbor or secretary, Rick (Owen Wilson) and Fred (Jason Sudeikis) explore their freedom through lame shenanigans.

For the first hour of “Hall Pass,” the theater was completely silent, without one giggle or chuckle. Toward the end of the film, it became obvious the Farrelly brothers took an additional 30 minutes just to add completely idiotic and ridiculous plot points, presumably because the law of averages states at least one of them has to be funny.

“Hall Pass” paints each of its characters as gender stereotypes, with the men characterized as insatiable sex fiends who only have one thing on their minds and the women as uptight and sexually aversive. It is like watching CBS sitcoms for two hours. Stereotypical characters, however, were not the downfall of this film though.

In fact, the Achilles’ heel of “Hall Pass” was that it was completely devoid of all traces of humor.

If you are a fan of the Farrelly brothers’ 2007 work “The Heartbreak Kid,” then go see “Hall Pass.” but if you are dying to see it, just go ask your parents to detail their sex life meticulously for you. It should pretty accurately replicate the experience of sitting through “Hall Pass.”

film Wardrobe eardrums, film centers, judgments, mediocrity, tyler perry, whiny

25 January 2011 | news Newsdesk

This winter, sub-zero daytime temperatures have challenged the fashion-conscious. Gan Tian highlights the best ways to keep warm.

The runway sets the tone with its little touches of luxurious decor. On the catwalk, models draped in beaver, seal, lynx, fox and mink stride out to the beat of Danish rock band Polyphonics.

This is a gathering of the best, organized by the world’s largest fur auction house, Kopenhagen Fur, and it features more than 10 labels, including Birger Christensen from Denmark, Avanti Fur from Greece, Ne Tiger and Yingdak from China.

Luxury is the key word, and buyers come with fat checkbooks for a Birger Christensen fur coat costing more than 200,000 yuan ($30,360), or an Avanti neck piece (50,000 yuan plus).

Some pieces are more affordable, especially the hip and trendy collections. It’s easy to spot these on the catwalk, the music changes to suit the mood.

“We are gathering the best designers and the best fur companies to promote their products. It will be something new for the Chinese fashion industry to start using fur in their collections,” says Kenneth Loberg, sales director of Kopenhagen Fur.

With growing affluence, fur products which are the perennial symbols of wealth, are becoming more popular than ever. according to the statistics from Kopenhagen, China is now one of the company’s biggest market, with Asia taking up half its business.

While it does not have specific data on its Chinese market, the company estimates the total sale of fur products reached 20 billion yuan in China last year.

“We expect sustainable growth of 10 percent in the years to come,” Loberg says.

The most popular are the short-haired, clear-colored furs and the high-quality skins.

Loberg describes his customers as wanting something nice, warm, good-looking and smart, but still representing luxury. they live in the first-tier cities, like Beijing and Shanghai, and also second- and third-tier cities including Harbin of Heilongjiang province and Haining of Zhejiang province. Most of his clients are frequent travelers.

In the north, Chinese clients tend to treat fur as wardrobe necessities in winter. In the south, fur is more a fashion accessory.

Customers are also getting younger, Loberg says, with an average age of between 25 to 40.

Things were not as rosy two decades ago when Kopenhagen Fur was the first fur company in the market in 1994. China was a very small market. It was Russia that dominated Kopenhagen Fur’s global business, taking up 50 percent of total demand.

Kopenhagen Furs is now ready to move into lifestyle, and Loberg says his firm is talking to Chinese furniture companies. Fur, it seems, may soon migrate from the wardrobe onto to the couch.

film Wardrobe catwalk models, checkbooks, mink, sales director, word 97

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Original title: ???????  | Toki wo Kakeru Shojo | Time Traveller: The Girl who Leapt Through TimeRelease: 2010Country: JapanDirector: Masaaki TaniguchiRunning time: 122 Min.Cast: Riisa Naka | Akiyoshi Nakao | Kanji Ishimaru | Narumi Yasuda | Anna Ishibashi | Munetaka AokiWritten by: Miguel DouglasPublished: 12.22.10

It’s been roughly 30 years since Yoshiyama Kazuko, the heroine of the original novel, had her time traveling adventure. She has since grown up to become a researcher, still looking for a formula that will enable her to travel back in time. however, a tragic car accident sends her into a coma. Hearing a story about her mother’s first love in 1972, Kazuko’s daughter Akari believes that discovering and bringing back her mother’s first love will make her awake from her coma. following the formula prescribe by her mother, Akari accidentally time travels back to the year 1974–a full two years after her mother’s first love. Here she meets college student Ryota, who decides to help her on her search. along the way, a romance blossoms between the two, but Akari knows that she will eventually have to return to 2010, ultimately leaving Ryota behind.

Author Tsutsui Yasutaka’s 1967 novel Toki wo Kakeru Shojo has had considerable success within Japan, resulting in a variety of artistic outlets to iterate and expand the original story. whether through film, television dramas, manga, and most recently that of 2006 animated film, the Toki wo Kakeru Shojo franchise has been re-imagined to accommodate new generations with the classic tale of time leaping, promise, and love. Acting as a direct sequel to the original novel, the 2010 Toki wo Kakeru Shojo explores the generational experience with that of time travel, this time following the original protagonist’s daughter as she ventures into the past. Those familiar with the original film and/or novel will find much to appreciate here as it references plenty of source material to complement the original, including that of ultimately concluding the original novel’s storyline.

Filling the role of the main heroine this time is Riisa Naka, an actress who injects considerable enthusiasm and playfulness into her character. as the voice actress of the main protagonist of the 2006 animated film, Riisa effectively brings forth the same charisma as viewed within that role to this film. Viewed as a more energetic role than perhaps many of the past interpretations, she provides some much-needed originality to a character role that is often viewed rather dramatically throughout the series. This garners the film a more comedic tone within its first half, but then slowly changes to that of the dramatic as it nears its conclusion, which is quite similar to the way in which the animated film was conveyed. another aspect that is sure to please long time viewers of the series is its inclusion of past characters. This works out well to establish some linkage to past films while also providing the opportunity for past conflictions to finally be resolved. While some might disagree in the way these conclusions our handled within the film, they still offer a solid foundation in which to conclude the series, if they ever choose to do so.

What’s relatively surprising about this film—and the franchise in general—is just how consistently creative it remains considering its abundant reinterpretations. For a franchise that has had numerous interpretations of its plot throughout the course of nearly 30 years, Toki wo Kakeru Shojo is still able to offer yet another unique take on the time traveling heroine. While the device of time travel has always been a main component within telling the story, the films have steadily remained focused upon the personal dilemmas of its characters, never allowing the use of time travel to take over the course of its story. This is even more visible within this film, mainly because the element of time travel is only performed twice throughout and doesn’t remain a huge aspect of the film like some of its predecessors. at its core, the film focuses upon the notion of promise and how one can fulfill that promise despite the passing of time. This notion was explored in the original 1983 film, and it works exceptionally well here even more so given the rather vivid relationships shared amongst the characters. While the familial bond was only a minor aspect of the 2006 animated film, here it’s utilized as the catalyst to promote the story and is viewed as major element in concluding the storyline from the 1983 film.

With this film focusing primarily on the familial relationships shared amongst its cast, it once again explores the platonic love that develops between the main heroine and an individual from the past. This aspect, while certainly a considerable element of the film’s latter half, is not entirely realized here. While one can see their relationship as authentic in many regards—and the emotional backing is expressed adequately as well—the way it develops is treated rather hastily. This is rather unfortunate considering that the film provides great background concerning the maternal relationship shared between Akari and her mother, but does little in showcasing the development of Akari and Ryota’s relationship, which becomes an important element as the film nears its conclusion. what we are offered is a relationship that is seemingly presented as one-sided throughout the film, but is eventually expressed as a mutual one only when the direst of consequences present themselves. While the emotional impact is still prevalent, more time spent exploring the fruition of their relationship would’ve made the conclusion considerably stronger and in a better sense, simply more believable.

Overall, Toki wo Kakeru Shojo is still a wonderful addition to the established universe of Yasutaka’s novel, even if its somewhat inadequate in terms of fully developing its relationships. Considering the longevity of the series, the aspect of originality is certainly brought into question, but the element of creativity is still present. This quality stems primarily from its characters, especially that of actress Riisa Naka who does an effective job at revitalizing and representing the role of the heroine of the series. Fans of 2006’s animated film will appreciate her honest and quirky portrayal within this film, which establishes a new approach as to how one may view the main heroine in the Toki wo Kakeru Shojo series. and while the usage of time travel is not as eccentric as past films, the film’s ample focus on familial affairs and long withstanding promises remains at the forefront. whether this is the final film in the series is certainly up for speculation, but what Toki wo Kakeru Shojo provides is a satisfying and complementary conclusion that is sure to please fans—both new and old alike—of its classic tale of time travel, love, and loss.

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film Badges first love, ishibashi, narumi, romance blossoms, yasuda

when Jerry Martin took over as general manager of WXIN-TV Channel 59 in 2004, the Fox affiliate was airing a three-hour local news and entertainment show on weekday mornings and a half-hour news show at 10 every night. Eighteen and a half hours of news a week. This January, after Channel 59 expands its weekend morning news shows by an hour, the station will be airing 54-1/2 hours of live local news each week. And if everything goes as planned, by the end of 2012 it will add a 6-7 p.m. newscast weekdays, bringing the total to an astonishing 59-1/2 hours. That means more than a third of its airtime will be devoted to local news—about twice as much as its three competitors and maybe more than any other network affiliate in the country. “We’re really trying to change the way people look at Fox59,” Martin said. “we want them to think of us primarily as a news station with Fox prime-time programming. I think that will happen because of the number of hours we produce. And as the marketplace changes, we believe that the one with the most resources devoted to news, the one that’s on the most, is going to be seen as the premier news place in the market.”

Lauren Jones, left, who forecasts the weather, talks with anchors Bob Donaldson and Fanchon Stinger on the 4 p.m. Fox newscast. (IBJ Photo/ Perry Reichanadter)

If nothing else, it’s certainly generating gasps in the industry. “Wow—59 [hours],” marveled mark Kraham, chairman of the Radio Television Digital News Association and news director of a station in Hagerstown, Md., that does 29 hours of local news each week. “That’s an incredible amount.” as Martin sees it, Channel 59 is doing what it has to do to be able to control its own destiny. for decades, stations like his typically existed on a heavy diet of syndicated programming—daytime talk, court shows, game shows and sitcom reruns. But now there’s less of that programming available, what is available can be costly and, because of cable, little of it is available exclusively. News, on the other hand, is local, exclusive content that can also be used to feed the station’s website and shared through mobile devices like smartphones and iPads. “really, it’s local television going back to its local roots, more so than just running whatever Hollywood produces,” he said. And it appears to make sense in other areas. Martin said the more news Channel 59 does, the higher its web numbers have been. In the past year, he said, website traffic has quadrupled, and the site is making money for the station. “not the kind of money you make running a TV station, but it’s starting to become a significant part of our business plan,” he said. Local news also serves as a profit center for affiliates. not as much as prime time—where programming historically has been free and the profit margin from the local advertising time sold during prime time is nearly 100 percent—but as much or more than syndicated programming. “If you negotiate a good price [for syndicated shows], you’re going to be looking at fairly good margins—nearly as good as you would have in news,” Martin said. he wouldn’t specify a dollar value for either. Savvy strategy? despite all this, opinions differ about whether this strategy will work in the long run. John Cardenas, general manager of WTHR-TV Channel 13, Indianapolis’ highest-rated local news station, acknowledged that if “you want to grow your news image, it’s probably not a bad strategy on their part.” But Cardenas remained skeptical that Channel 59 could provide enough fresh content to retain viewers. or that viewers would gravitate to Martin’s station. WXIN, which in September 2009 launched the only local news show from 4-5 p.m. weekdays, initially had lower ratings in that hour than when it aired the syndicated talk show “Maury.” the newscast now fares better, running in third place. so far, Channel 59’s launch of a 5 p.m. newscast this September hasn’t yet translated into a ratings surge. It’s in fifth place—even behind reruns of “Everybody Loves Raymond” on sister station WTTV-TV Channel 4, Cardenas said. “If you look around the country, a lot of stations have been expanding their newscasts in part to meet the changing lifestyles of viewers, but I think a lot of times it’s strictly to get advertiser revenue the station isn’t getting,” Cardenas said. “My sense is that’s probably the case here, given all the different times periods they continue to expand their newscasts in.” Martin counters that he expects the 5 p.m. newscast to finish October with a 1.9 rating/4.3-percent share of the audience, a 25-percent improvement over a year ago when “are You Smarter Than a 5th Grader?” aired in that time slot. And since WXIN sells advertisers on its demos—the demographic breakdown of its audience—not total number of household viewers, he’s happy with what he’s seen so far. “I would say it is doing exactly what we thought it would do at this early stage … and it will probably be no. 3 in time period in demos by February,” he said. Since Martin launched his strategy, the station’s news ratings overall have improved, too, especially in the mornings, though it generally trails Channel 13 and WISH-TV Channel 8 during time periods when the stations compete head to head. And Martin points out that the idea isn’t to get people to sit down and watch full three- or four-hour blocks of news each day but to give them a place to stop for 15 minutes to catch up on what’s happening in the city and state. If they know Channel 59 is likely to be airing news, they’ll be more likely to turn to the station and, Martin hopes, bookmark fox59.com and follow the station on Facebook and Twitter. ‘Local, local, local’ RTDNA chairman Kraham said the organization doesn’t track the number of news hours stations air, but adding more local news is definitely a nationwide trend. His station just added a 7 p.m. newscast as a way to reach commuters getting home later. “And the thing that I keep hearing from everyone is that, to remain relevant, to compete with all of the other voices and things that are out there calling for attention—everything from social media to online products—you must do local,” he said. “make sure you remain local, local, local, providing a unique product that is unavailable anywhere else.” things used to be different. Mike Ahern got his start in Indianapolis TV in 1967, when local news consisted of a half hour a night. In 2004, when he retired from WISH as the market’s gold-standard anchor, the station had been calling itself “24-hour News 8” for more than a decade and was airing around 30 hours of news a week. Ahern hadn’t heard of Channel 59’s plans to expand, but “my first thought is, that sounds like an awful lot of makeup,” he said, laughing. then he got serious. “I’ve always thought if anything survives this multi-channel, multi-informational age we’re in, it would be local news.” is there that much news to cover in Indianapolis? Ahern doesn’t think so. “If you hang in there for the full hour and a half or two hours of news, it becomes terribly repetitious. I think they’re counting on, in a very mobile society with lots of choices out there for news sources, people just grabbing their news on the run. In that case, it’s probably not a bad idea.”•

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AUGUSTA, GA – Every once in a while a movie comes along that is so original and so frightening, it doesn’t matter that the cast is made up of people you’ve never heard of before or that the budget is one that would buy a mediocre home in the Augusta area at best.

It happened in 1999 with “The Blair Witch Project.”