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Posts Tagged ‘classic songs’

Best Bets: Dragon boats, a rare musicians gathering, tracking treasure and more

July 25th, 2010

Pop Music

The beat goes on, and onSunday.Retro rock. It’s easy to love the oldies but goodies touring America’s intimate venues in the name of their history and their hits. We’ve had years to digest and enjoy some of these classic songs — including Squeeze’s “Tempted” and the English Beat’s “Save It for Later” — and now it’s time to get out there and dance. When Squeeze and the English Beat play the Ogden Theatre on Sunday night, it will be an evening of nostalgia. It helps that the groups still have it — all these years later. (Let’s remember that both bands formed in the late ’70s.) The show starts at 8 p.m. Tickets, $35, are available via Ticketmaster.

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REVIEW: Massive Attack, Myer Music Bowl, Melbourne, Australia

March 22nd, 2010

by Tim Cashmere – March 21 2010
photo by Damien Loverso

Massive Attack hit Melbourne’s Myer Music Bowl on their fourth Australian tonight (March 20) with a truly spectacular performance.

The anarchistic, angry, aggressive hated of politicians and capitalism was on display in an awe-inspiring way that would leave most punk rock activists shaking in their boots.

The spectacular backdrop was littered with angst-ridden messages often targeting Australian tabloid fodder. during their 1998 track ‘Risingson’ the screen flashes messages including “Bingle: Who Cares?” and “Pauline Hanson to Emigrate”. Their political awareness did not let up and their message came through loud and clear. the whole show was a metaphorical “fuck you” to capitalism.

Even if you’re the kind to ignore a band’s politics, it was brilliant enough just hearing the band trawl through classic songs that defined the trip-hop genre over the past two decades. Songs such as 1992’s ‘Unfinished Sympathy’ and ‘Safe From Harm’ sounded right at home next to ‘Splitting the Atom’, ‘Babel’ or ‘Psyche’.

‘Teardrop’ was reinvented by the stunning voice of Martina Topley-Bird, who played a solo set in support to a disappointingly uninterested crowd (for future reference, she has two very excellent solo albums and a third one on the way). Her quirky voice and beautiful phrasing added a new touch to a classic crowd-pleaser of a song.

There is an old rule in show business that you never open with a show-stopper, but this incredible performance opened with one and never looked back.

No review, no dodgy clip on YouTube and no tales from your mates will give you the slightest clue as to how incredible this performance is. if it is coming to a town near you, get a ticket. get a ticket the second they are on sale. Sell your mother if you have to, just go.

Follow the author Tim Cashmere on Twitter.

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